"My voice is my passport. Verify me."
I have to renew my passport every 10 years or so. How do I do that with my voice? I guess it's time to take some vocal lessons.
"My voice is my passport. Verify me."
I have to renew my passport every 10 years or so. How do I do that with my voice? I guess it's time to take some vocal lessons.
The fediverse take on that was "customers are advised to rotate their faces and birthdays."
Here is a clip of him when someone called his studio thinking they were the local Pizza Hut. Phil does all the other voices, including the phone system.
The ability to switch mid-sentence is mostly just something I discovered I can do and is fun. But the ability to pass as my real gender is something that helps me feel safe. And when needed, being able to occasionally pass as my prior gender (e.g., when calling my bank until I can change my name/gender legally), it also quite useful.
But pitch is far from the only thing that someone gendered one way or another in western culture (and presumably elsewhere). Resonance, weight, breathing patterns, word choice, and prosody all matter too. That's way too much to go into in a post here on HN, but the easiest one to understand is resonance or "size." Female-perceived speakers have higher resonance / smaller size. This means that some of the higher harmonics are amplified more than the lower harmonics, an it's called a "small size" because the actual resonating area from the larynx to the tongue is made smaller (mostly through tongue placement). Male-perceived speakers do the opposite, creating a larger space for resonance and resulting in a lowered resonance.
I know quite a few cis people who are also going through some of this training to help with their voice acting, or even just for fun.
There are a lot of good (and unfortunately some bad) resources online for trans voice training in both directions. My personal favorite (and where I started my lessons) is Seattle Voice Labs, but Online Vocal Coach / Vox Nova is also a great resource.
One thing I've been feeling itchy regarding this domain is that a lot of existing resources are shallow and there aren't many gamified options even though things like rhythm game feels like a perfect fit. I think not a negligible number of people, especially young and inexperienced, are struggling with aggressive or dis-satisfied sounding voices against their intent. Just a laptop app to feedback the error between their intended voice and recognized voices to let them minimize the error feel like a useful thing to me.
IMO, the best way to learn to control your voice is to learn to hear variations in size, weight, pitch, open quotient, prosody, etc. From there you can become your own coach so you're not focused on an app while having a real world conversation with someone. Would a gamified version help? Possibly.
(sorry for the delay, I have no idea if you'll see this. I wrote it last week but apparently never pressed the submit button??)
Well met, fellow Uplinker!!
I'm pretty sure this person worked at Playtronics.
https://www.science.org/content/blog-post/things-i-won-t-wor...
Do you need to calibrate it to be able to repeat it, and does that calibration change if you are at a different altitude and in different conditions, such as humidity?
Does merely changing altitude (or ambient pressure) change voice enough to be considered different by a recognition or synthesizing system?
Although it does seem to affect some people more than others for sure, I guess it depends how and what you're smoking.
I guess you don't listen to Sinatra.
In reality, some phlegm aside, their voice is still the same in any way that matters.
If you knew people who didn't smoke and started (not uncommon in the 80s and 90s, quite a few people I know started smoking in university, or after the stress of a first job, some even later), and also the inverse, you can trivially hear it for yourself.
Voice fingeprinting is essentially useless because it is easily recorded and reproduced.