Bambaataa was a serial sexual abuser and everybody in the rap scene knew it back in the day (early 90s) same way everyone knew about R. Kelly (I ran a rap program on the radio in 92-94).
Massively influential guy to hip hop, but what a shame.
No idea about the allegations until now, which means the news doubly suck.
We didn't play Bambaataa, R Kelly or Tupac (convicted rapist) records. That's about all a radio station could do. Can't state what legally speaking were merely rumors on the air without facing problems. All you can do is not support them commercially, which we did.
what key do i push for 'lots of doubt'?
For context we were in a big northeastern city with a good range and at the time there was almost no other regular rap programming on the radio (one other show locally). Outside NYC it was very hard to get rap (or even R&B) on the radio except in certain places or in very commercial programming (and then biz market and Beastie boys were maybe the best stuff you could put on the radio). Something like hit 107 in ATL (a very receptive market) started in 1990 and even there rap programming was mostly on college and community stations. We had guest djs beeping swearwords live on turntables while they stole our records because everyone was too high to pay attention. It was very much a bunch of kids into music convincing someone that this music deserved a time slot and one mistake and it all got cancelled. A lot of them were socially conscious and there was a lot of pushback against the misogynistic and gangster stuff but commerce won. We had issues about playing shabba ranks and the like too because of all the homophobia in dancehall. Tupac's case was a tough one because he had fans and defenders.
I wouldn't go around DJing an abuser's music but I find it insufficient to stop at signaling about it and cancelling. That's where the work begins, not where it ends.
Stopping at jailing abusers will force them to hide better and prevent the more cowardly ones from acting, but it won't stop before the process behind it is fully understood, internalized and treated. I don't know the story behind it but there's a very high chance Afrika Bambaataa was abused as a child.
I think we have enough evidence these days to confidently say race has nothing to do with it.
For people who get enough power and influence they'll either become role models from a position of power, get followers and maybe even act as mentors to their subsequent victims (priests, teachers, various artists, activists and other "influencers"), or they're rich enough to think/know they can get away with anything (everyone in the Epstein files).
I'm saying quite literally that it's over-represented in Black American artists, alongside with drug abuse. Which is a theme explored extensively by Black American artists themselves, most recently Kendrick. That it happens to white people in a similar set of circumstances (absentee parents and abuse during childhood) confirms my point.