* https://petapixel.com/2026/04/02/a-nikon-z9-made-it-aboard-t...
They have a thermal blanket for exterior work:
* https://petapixel.com/2026/02/24/artemis-ii-astronauts-will-...
* https://petapixel.com/2025/01/10/the-custom-nikon-z9-and-the...
* Various stories with the "Artemis" tag: https://petapixel.com/tag/artemis/
The D5 has been used on the ISS, including EVAs, since 2017, so they're a known quantity:
* https://en.wikipedia.org/wiki/List_of_cameras_on_the_Interna...
The Mercury and Apollo missions used Hasselblad 500-series-based cameras (modified):
* https://www.hasselblad.com/about/history/hasselblad-in-space...
It's so refreshing to be mesmorised by a picture in the age of shorts and reels.
Modern tech allows more people to capture more things more easily, but when the automation fails there aren't really many manual modes to fall back on.
Sheesh, let the lab mice have a breather. Want them to solve physics during the trip?
This is exactly what newbies experience when trying to photograph the moon from Earth. It's not intuitively obvious, but the light coming off the moon is essentially full-daylight bright. But the moon is small against a very black background, and depending on how the auto-exposure is operating, this often leads to guessing that the scene as a whole needs a lot more exposure.
I imagine that trying to photograph the Earth when a significant part of what's in view is experiencing daytime, is very much the same thing.
About 11 years too far back:
> The Nikon D5 is a full frame professional DSLR camera announced by Nikon Corporation on 6 January 2016 to succeed the D4S as its flagship DSLR.
Almost like I ran the grainy-to-real conversion in my mind and I felt like I was imagining seeing this in person. Beautiful image!
The natural blue light is coming from the oxygen in the atmosphere but it's so overwhelming in that spot that it turns the light pure white. The red/orangish is coming from particulates and the green/red from aurora. My favorite part I think is the very bottom where you can see the blue light taper off and not overwhelm the camera sensor and you can see the aurora with it. I love this photo so much.
Probably my favorite photo ever now.
And all the others are negligible by many orders of magnitude compared to the moon. So it's really just the moon as far as this photo is concerned (except for the small sliver that's still illuminated by sunlight, including refracted sunlight).
That's highly incorrect. I have many lightsources that aren't contributing to any photons in that picture. For example my refrigerator light.
This is true for every photo ever taken
Yes, exactly.
Also, pulling more data from your 14 bit or 16 bit raws results in more noise in the end compared to the straight-out-of-camera 8 bit JPEGs.
For example, if you render Gaussian noise in photopea and export as JPEG 100% quality, it has 9.2MB. If you reduce the exposure by -2 it goes down to 7.8MB. That's partially because more parts of the noise are effectively black pixels, but also I believe because of the earlier mentioned effect.
Also possibly different JPEG quality settings.
https://en.wikipedia.org/wiki/Timeline_of_first_images_of_Ea...
- first video listed https://en.wikipedia.org/wiki/File:1946-11-21_White_Sands_NM...
quite amazing
d5 has an actual shutter yeah? not mirrorless? I think the shutter moving will spin the camera.
To fully answer the question, the moon's gravitational gradient does pull on the Earth, the ocean closest to the moon, and the ocean furthest from the moon differently. But those are objects separated by thousands of kilometers, having hours of gravitational influence acting upon them.
The only real relevant thing for the photograph is rotation though as long as the camera doesn’t float in front of the window frame, and airflow is probably much more relevant for both points than gravity.
That are the tidal forces, they are quite small for a system of the size of Orion.
One of the reasons the D5 supposedly was chosen was because of its high dynamic and good low light performance. It can go up to ISO 3,280,000:
* https://en.wikipedia.org/wiki/Nikon_D5
The D5 has been used on the ISS, including EVAs, since 2017, so is a known quantity:
* https://en.wikipedia.org/wiki/List_of_cameras_on_the_Interna...
EDIT: sorry, it seems I'm wrong. I just checked https://www.photonstophotos.net/Charts/PDR.htm and while the Z9 has the clear edge with 2 more stops of dynamic range at low ISO, the D5 actually pulls ahead at high ISO. Perhaps the technological improvements haven't been that much for the shot-noise dominated regime.
Video alleges people think ISO makes the sensor "more sensitive or less sensitive". (I … don't think this is common? But IDK, maybe this is my feldspar.)
(The video also quibbles that it is "ISO setting" not "ISO" … while showing shots of cameras which call it "ISO", seemingly believing that some of us believe ISO is film speed, in a digital camera?)
Anyways, the video wants you to know that it is sensor gain. And, importantly, according to the video, analog gain, not digital gain.¹ I don't know that the video does a great job of saying it, but basically, I think their argument is that you want to maximize usage of the bits once the signal is digitized. Simplistically, if the image is dark & all values are [0, 127], you're just wasting a bit.
You would want to avoid clipping the signal, so not too bright, either. Turn your zebras on. (I don't think the video ever mentions zebras, and clipping only indirectly.)
The video does say "do ISO last" which I think is a good guideline. Easier said than done while shooting, though.
… also while fact checking this comment, I stumbled across Canon's KB stating to use as low an ISO as possible, which the video rails against. They should talk to Canon, I guess?
¹with the caveat that sometimes there is digital gain too; the video notes this a bit towards the end.
This is because the ADC (analog to digital converter) right after can only handle so many bits of data (like 12-16ish in consumer cameras). You want to “center” the data “spread” so when the “ends” get cut off, it’s not so bad. Adjusting the ISO moves this spread around. In addition, even if you had an infinite bitrate ADC, noise gets added between the gain circuit and the ADC so you want to raise the base signal above the “noise floor” before it gets to the ADC.
Gain is not great — it amplifies noise too. You want as low ISO as possible (lowest gain), but the goal is not actually to lower gain; your goal is to change the environment so you can use a lower gain. If you have the choice between keeping the lights off and using higher ISO versus turning on the lights and using a lower ISO, the latter will always have less noise.
Most photo cameras have one gain circuit that has to cover both dark and light scenes. Some cameras like a Sony FX line actually have two gain circuits connected to each photosite and you can choose, with one gain circuit optimized for darker scenes and the other optimized for brighter scenes. ARRI digital cinema line cameras have both and both are actually running at the same time (!).
...or integration time.
> … also while fact checking this comment, I stumbled across Canon's KB stating to use as low an ISO as possible, which the video rails against. They should talk to Canon, I guess?
Isn't ISO last the same as setting it as low as possible? Obviously it's always set to something, so I thought 'doing it last' means start with it low, set exposure & shutter, increase as necessary?
(Shutter speed being dictated by subject and availability of tripod, essentially it's just exposure & ISO which becomes about how much light there is and how it's distributed, I suppose.)
I'm not really into photography though, so perhaps that's all nonsense/misunderstanding.
Peak sharpness is about f/8. They should have had the D5 on aperture priority auto iso, pushed the exposure comp either way and then just fired at f/8 and let the camera make the decisions.
But they are astronauts not photographers :)
The modern Z lenses are far better and sharper open but much larger generally.
In this special situation you get as many as you can a few dozen at least. Then only publish the one that looks the best. If it's f4 then f4 worked best.
I’m an amateur photographer and I’m actually incredibly impressed at how good the optical image stabilization tech is these days even in entry-level cameras. I wouldn’t hesitate to use 1/4 s shutter speed when necessary (such as in many indoor environments) and I’m quite amazed at the sharpness.
How did they get the Earth to light up when it is obviously dark outside? Is this fake?
GPS might work out there though: https://www.nasa.gov/directorates/somd/space-communications-...
From [0], "The D5 was chosen for its radiation resistance, extreme ISO range (up to 3,280,000), and proven reliability in space." (
https://petapixel.com/2026/04/02/a-nikon-z9-made-it-aboard-t...
There are more interesting details in the PetaPixel article, such as: "'That’s the camera that they’ll be using, the crew will be using on Artemis III plus, so we were fighting really hard to get that on the vehicle to test out in a high-radiation environment in deep space,' Wiseman said."
H/t to "SiliconEagle73" who linked to that PetaPixel article in the thread linked below.
https://old.reddit.com/r/nasa/comments/1sbfevm/new_high_reso...
But yeah the grainy photo of the Earth with the D5 at ISO 51200 shows the shortcomings of the ancient DSLR. Still, great shot.
My only curiosity, and yeah I know orders of significance etc...
Buuuuut I wonder why they didn't consider a Z5[0][1] and the Z mount 14-24, or the Z5 with an adapter for the F mount 14-24....
There's at least a pound of weight savings on the table.
Specifically, I wonder if it's a fun reason? i.e. it would be interesting if there was a technical reason like 'IBIS fails miserbly' or 'increased sensor resolution adds too much noise' (even at that ISO you gave from the EXIF...)
[0] I'm really more of a Sony person but am thus keenly aware about importance of UX feel, so I tried to keep the question apples to apples here.
Edited to add:
[1] Per [0] I may be stupid in thinking the Z5 is a 'at least minimal' substitute so happy to learn something here.
* https://en.wikipedia.org/wiki/List_of_cameras_on_the_Interna...
The ISS now (also?) has Z9s. So they're both generally known-quantities.
My understanding is it's on the order of 5-10 pounds of rocket juice to get one pound of something to LEO, thus the question.
1. https://www.nasa.gov/wp-content/uploads/2026/01/sls-5640-sls...
However cameras probably fall into the variance in astoraunt weight somewhat.
This is consistent with good photographic technique that prioritizes "getting it right in the camera."