> there will be nothing really new
How is this the conclusion? Isn't this post about AI solving something new? What am I missing?
How is this the conclusion? Isn't this post about AI solving something new? What am I missing?
There’s also a discussion to be made about maths not being intrinsically creative if AI automatons can “solve” parts of it, which pains me to write down because I had really thought that that wasn’t the case, I genuinely thought that deep down there was still something ethereal about maths, but I’ll leave that discussion for some other time.
LLMs might produce something new once in a long while due to blind luck, but if it can generate something that pushes the right buttons (aka not really creative) to majority of population, then that is what we will keep getting...
I don't think I have to elaborate on the "multiplying the bad" part as it is pretty well acknowledged..
The Thesis of Everything is a Remix is that there is no difference in how any culture is produced. Different models will have a different flavor to their output in the same way as different people contribute their own experiences to a work.
Bold claim, as the internet is awash with counterexamples.
In any case, as I think this conversation is trending towards theories of artistic expression, “AI content” will never be truly relatable until it can feel pleasure, pain, and other human urges. The first thing I often think about when I critically assess a piece of art, like music, is what the artist must have been feeling when they created it, and what prompted them to feel that way. I often wonder if AI influencers have ever critically assessed art, or if they actually don’t understand it because of a lack of empathy or something.
And relatability, for me, is the ultimate value of artistic expression.
I recently watched "Come See Me in the Good Light", about the life and death of poet Andrea Gibson. I find their poetry very moving, precisely because it's dripping with human emotion.
Or at least, that's the story I tell myself. The reality is that I perceive it to be written by a human full of emotion. If I were to find out it was AI, I would immediately lose interest, but I think we're already at the point where AI output is indistinguishable from human output in many cases, and if I perceive art to be imbued with human emotion, the actuality of it only matters in terms of how it shapes my perception of it.
I'm not really sure where we'll go with that from here. Maybe art will remain human-created only, and we'll demand some kind of proof of its provenance of being borne of a human mind and a human heart. Or maybe younger generations will really care only about how art makes them feel, not what kind of intelligent entity made it. I really don't know.
What do you consider a counterexample? Because I've been involved in local politics lately, and can say from experience that any foundation model is capable of more rational and detailed thought, and more creative expression, than most of the beloved members of my community.
If you're comparing AI to the pinnacle of human achievement, as another commenter pointed to Shakespeare, then I think the argument is already won in favor of AI.
> I think there's demonstrably very little difference at all between human and AI outputs
Counterexamples range from em-dashes, “Not-this, but-that”, people complaining about AI music on Spotify (including me) that sounds vaguely like a genre but is missing all of the instrumentation and motifs common to that genre.
The rest of your comment I don’t even know how to respond to, to be honest.
I've literally seen humans accusing other humans of being AI here on hackernews for these. Q.E.D.
Is that a claim I've made? I don't see it anywhere. I think a lot of people think that because they can get the AI to generate something silly or obviously incorrect, that invalidates other output which is on-par with top-level humans. It does not. Every human holds silly misconceptions as well. Brain farts. Fat fingers. Great lists of cognitive biases and logical fallacies. We all make mistakes.
It seems to me that symbolic thinking necessitates the use of somewhat lossy abstractions in place of the real thing, primarily limited by the information which can be usefully stored in the brain compared to the informational complexity of the systems being symbolized. Which neatly explains one cognitive pathology that humans and LLMs share. I think there are most certainly others. And I think all the humans I know and all the LLMs I've interacted with exist on a multidimensional continuum of intelligence with significant overlap.
I hereby rebuff your crude and libelous mischaracterization of my assertion. How's that? :)
Yes, you literally just said QED.
You said AI works were easily distinguishable via em-dashes and "not this, but that"
I said I have witnessed humans using that metric accuse other humans here on hackernews. Q.E.D.
You've asserted that they are easily distinguished. Practitioners in the field fail to distinguish using the same criteria. Is that not dispositive? Seems like it to me.
I claimed much earlier in the thread "I think there's demonstrably very little difference at all between human and AI outputs" which is consistent with "I think all the humans I know and all the LLMs I've interacted with exist on a multidimensional continuum of intelligence with significant overlap."
Two ways of saying the same thing.
Both of them suggesting that sometimes you may be able to tell it's the output of an AI or Human, sometimes not. Sometimes the things coming out of the AI or the Human might be smart in a way we recognize, sometimes not. And recognizing that humans already exist on quite a broad scale of intelligences in many axes.
Lol wut?
I was not saying that LLMs cannot produce something like pinnacle of human achievement. I was saying we cannot quantify the difference between Shakespeare and something commonplace, because it requires the ability to feel.
I think you are being very dishonest here..
Is there "demonstrably" a lot of difference between Shakespeare and an HN comment?
The point is exactly that there is no such difference. And that it enables slop to be sold as art. And that exactly is the danger. But another point is we had the even before LLMs. And LLMs just make it more explicit and makes it possible at scale.