The thing is, you aren't entitled to distribution.
Most musicians who make it these days work really hard at doing live shows, or growing a following on tiktok.
once they have an audience - who cares about competition?
'For the love of the game.'
When you don't make any money and no one comes to your shows; when the booking emails go unanswered and the likes on soundcloud remain <10, just remember why you picked up the instrument in the first place. For the love of the game.
As a non-musician, but being into music to an unreasonable degree, I always thought that the best artists are those where I feel that, even if no one bought their records and there were just five people at their concert, they'd still be doing the exact same thing and with the same passion. Audiences notice.
That applies to people spamming AI slop too. People are right to complain about spammers. Platforms are right to try to stop spam, even though everyone knows that spam is a problem that is never going be solved.
> Most musicians who make it these days work really hard at doing live shows, or growing a following on tiktok.
Live shows, by their nature, have almost zero reach. A performance for 40 people takes place once in a single location at a specific time and then it's over. You're either there when it happens or you missed it. A song on youtube or bandcamp can be heard by millions quickly over a few weeks or gradually over years. Social media was a massive boon for musicians.
Sadly, it will get substantially harder to grow a following on tiktok or any other social media platform if those platforms are flooded with AI generated garbage. Real artists will be harder to find. Anyone doing anything new will be drowned out by AI regurgitating everything old. When creative people can't succeed, the creativity they'd inspire in others is lost and everything stagnates.
And decisions like Bandcamp's above reflects essentially the same view.