I don’t need to hire a programmer. I don’t need to be a programmer. I can use a tool to program for me.
(We sure as hell aren’t there yet, but that’s a possibility).
I don’t need to hire a programmer. I don’t need to be a programmer. I can use a tool to program for me.
(We sure as hell aren’t there yet, but that’s a possibility).
What makes you think so?
Most of the stuff I've read, my personal experience with the models, and my understanding of how these things work all point to the same conclusion:
AI is great at summarization and classification, but totally unreliable with generation.
That basic unreliablity seems to fundamental to LLMs, I haven't seen much improvement in the big models, and a lot of the researchers I've read are theorizing that we're pretty close maxing out what scaling training and inference will do.
Are you seeing something else?
If you mean that a completely non-technical user can't vibe code a complex app and have it be performant, secure, defect-free, etc, then I agree with you. For now. Maybe for a long time, we'll see.
But right now, today, I'm a professional software engineer with two decades of experience and I use Cursor and Opus to reliably generate code that's on par with the quality of what I can write, at least 10x faster than I can write it. I use it to build new features, explore the codebase, refactor existing features, write documentation, help with server management and devops, debug tricky bugs, etc. It's not perfect, but it's better than most engineers I've worked with in my career. It's like pair programming with a savant who knows everything, some of which is a little out of date, who has intermediate level taste. With a tiny bit of steering, we're an incredibly productive duo.
My work is to make sure that you don't need to reach for AI just because human typing speed is limited.
I love to think in terms of instruments versus assistants: an assistant is unpredictable but easy to use. It tries to guess what you want. An instrument is predictable but relatively harder to use. It has a skill curve and perhaps a skill cap. The purpose of an instrument is to directly amplify the expressive power of its user or player through predictable, delicately calibrated responses.
My experience has been much worse. Random functions with no purpose, awful architecture with no theory of mind, thousands of lines of comprehension debt, bugs that are bizarre and difficult to track down and reason about...
This coupled with the occasional time when it "gets it right".
Those moments make me feel like I saved time, but when I truly critically look at my productivity, I see a net decline overall, and I feel myself getting dumber and losing my ability to come up with creative solutions.
So while I don’t think the world I described exists today — one where non-programmers, with neither programming nor programmer-management experience, use these tools to build software — I don’t a priori disbelieve its possibility.
Programming is far more the latter kind of task than the former. Data-processing or system control tasks in the "solve ordinary, well-specified problem" category are solved by executing software, not programming.
In the case of AI, Claude costs $100 or $200/mo for really good coding tasks. This is much less expensive than hiring someone to do the same thing for me.
And to your note that real production code is not necessarily a high bar, what is "real production code"? Does it need to be 10,000 lines of complex C/rust code spread across a vast directory structure that requires human-level thinking to be production ready? What about smaller code bases that do one thing really well?
Honestly, I think many coders here on HN dismiss the smaller, more focused projects when in reality they are equally important as the large, "real" production projects. Are these considered non-production because the code was not written by hand?
Each of those things is a mountain of complexity compared to the molehill of writing a single script. If you're standing on top of a molehill on top of a mountain, it's not the molehill that's got your head in the clouds.