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Comment by phony-account | Hacker News Reader

This is a great product, and without meaning to underestimate the value of a ‘makers’ project I really wish it could be manufactured at scale with a metal body and a mount that could take a wider range of lenses.

Anyone currently interested in this breadth of formats would need to spend maybe 20 thousand dollars to buy cameras like the Hasselblad Xpan, the Plaubel Makina 67, and one of the Fujica 690 bodies.

Putting all this into one body is almost miraculous.

Lomo have recently released a nicely featured 35mm film camera[1]. I wish something like the MRF2 could also be produced in this way.

[1] https://shop.lomography.com/us/lomo-mc-a-35-mm-film-camera-b...

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I also am a huge supporter of DIY projects. Also a huge fan of medium-format, film photography.

To that end, if I can help others try medium format film, I want to add that there are plenty of inexpensive used medium-format cameras on eBay. I have purchased perhaps a dozen over the years—none of which even approached US $1000. In case you are not DIY inclined…

(Sadly, Japan has been the best place to order used camera gear but that has become cost prohibitive now for this American.)

Searching just now on eBay for "Yaschica TLR Mint" shows a number of cameras around $300 that are probably excellent (surprise, most are from Japan).

Can't afford a Hasselblad? Try "Bronica Mint" on eBay. Looks like $500 will get you in the game.

Mamiya cameras are built like tanks (and weigh as much). You could do a lot worse: "Mamiya Mint" is going to get you a few great models around $400 or so.

All of these were (are) considered damn fine film cameras.

(Mamiya tend to have interchangeable lenses, as does the Bronica. There are some Wide/Tele adapters for the Yashica, but generally you use them as-is. Most of these cameras are completely manual in operation—the more sought after Yashica though have some light-metering capabilities.)

(The Yashica and some of the Mamiya are TLR, twin-lens reflex—more or less equivalent to a rangefinder? The Bronica and some Mamiya you view through the lens 'TTL'.)

Thank you for not calling film photography "analog" -- I've been at it for 25 years and I'm also an engineer, and I cringe still everytime I hear/read "analog" photography, while there are plenty of accurate adjective that could be used. Like, as you did, "film" or "chemical" or even "Silver" as the french do.

As for medium format, there are hundreds of Folding cameras that are pretty much as good as the obvious massive SLRs people are so keen on. I own and use a dozen of them, some of them absolutely legendary, like Zeiss Ikontas or Super Isolettes or the russian Iskras and Moskvas.

Quite frankly, having owned a few SLRs myself (I only kept a Bronica S2A with a 50mm lens) I more often than not use the folders because, well, for one thing I can literally have 3 in my bag with 3 different films! The good ones are as good or better than the SLRs, and as long as you don't mind a fixed lens, they do the job very well and often as way more character than the "system"'s ones.

Keep on rolling :-)

I agree with you, but my point was aimed at people who might think that even a couple of thousand dollars would be too much to spend on a film camera, whereas used Xpans (with an unknown electronic lifespan) are commonly selling for in excess of $7k.

Otherwise I fully agree that buying old film cameras is still both the most practical and most fun way to get into the hobby.

My Xpan is now over 25 years old, and I've been doing stuff like this with it for over a decade: https://www.youtube.com/watch?v=SIy2_IpEw8c # electronics are still holding strong... for now. They tend to have more mechanical problems than electrical problems in my experience. But yes, I certainly wouldn't spend anything like what they are going for these days.

Albert (the subject of the original article here) is a former colleague and I recently visited him at home where he showed me his studio and the cameras he'd been creating. All very cool stuff.

I inherited a few Mamiyas with broken shutter release, and unfortunately have not been able to find a shop willing to repair: they specifically said “we won’t touch Mamiyas”

“we won’t touch Mamiyas”

Why? Is the mechanism that complicated? I'm pretty sure medium format SLR like Hasselblad or Rollei SL66 is more... ummm complex.

Very complicated to repair they said /shrug

> one of the Fujica 690 bodies

I see Fuji GW690 bodies with a 90mm lens on various sites like keh in the $1200 range.

I have a Hasselblad 500 series camera from the 1980's that my father bought at a pawn shop near a military base. In the early 2000's professionals were dumping tons of medium format gear as they switched to digital cameras so he got a wide and telephoto lens. The problem is I never use them. They are big, heavy, klunky, and slow to operate. I've never liked print film. I used to be able to get 2 hour development of E-6 slide film but now I have to mail it off and wait over a week so I don't bother. I look at digital backs but most of them are for studio setups.

My dad used to have that Hasselblad model a loooong time ago. If you are willing to part with it (for less than the "collector" price these are sold nowadays), you could make a nice Christmas gift for him. (I am Rhododender on Reddit)

You absolutely do not need to pay $20k for a medium format rangefinder. You can buy a Plaubel Makina for $2k-$3k right now and that's one of the more expensive options.

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