I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects remastered and extended to sound like something that might actually get listens was really exciting and kind of mind-blowing.
I understand it's not fully my creative output... but hearing one of my old, shitty, ableton live projects remastered and extended to sound like something that might actually get listens was really exciting and kind of mind-blowing.
If I could compare Suno to anything it'd be like having a studio full of rather disobedient and unpredictable session musicians available 24/7.
Even that's not quite what one gets as if you listen closely enough it doesn't really sound like a recording. Like the reverb is all over the place and there are certain other artefacts that are hard to describe but gratingly noticeable once you've spotted them.
DJ's and producers have been getting hate for years. "It's just a guy with a laptop on stage", "he isn't really playing those instruments", etc. Or think of a band leader, someone who composes but doesn't actually play the indiviudual part. I tried thinking of Suno this way and it helped ease whatever "guilt" I had about my own creative integrity.
That makes sense right? At the advent of computer DAWs, the biggest fans and users wasn't people listening to music, but people who want to make music. Production tools are indeed meant for people producing things, not the consumers, as it should be :)
If some retired lawyer wants to “write” a novel, good for them I guess. But AI is not the only reason it won’t be worth reading. The other problem is that the “writer” is actually just a reader. Consuming and producing are totally different.