Yes, I use Ableton Live every day.
> It lacks support for lots of plugins and hardware, and costs loads for what is essentially a weaker value prop than Bitwig or Ableton Live.
This is an obviously silly statement, not only is Logic Pro competitively priced ($200, relative to $100-$400 for Bitwig, $99-$750 for Live), but those applications obviously have different focuses than Logic Pro (sound design and electronic music, versus the more general-purpose and recording focus of Logic Pro, also you'd be hard pressed to find anyone who doesn't think Logic Pro comes with the best suite of stock plugins of any DAW, so the value prop angle is a particularly odd argument to make [i.e., Logic Pro is pretty obviously under priced]).
But all this isn't that important because many of these applications are great. DAWs are one of the most competitive software categories around and there are several applications folks will vehemently defend as the best and Logic Pro is unequivocally one of them.
> Most bedroom musicians are using Garageband or other cheap DAWs like Live Lite, and the professional studios are all bought into Pro Tools or Audition.
This is old, but curious if you have a better source for your statement https://blog.robenkleene.com/2019/06/10/2015-digital-audio-w...
Found a more recent survey https://www.production-expert.com/production-expert-1/2024-d...
> We can see that Pro Tools for music is the most popular choice, with Logic for music second and Pro Tools for post coming third.
Note that I'd say Logic Pro's popularity is actually particularly notable since it's not crossplatform, so the addressable market is far smaller than the other big players. It's phenomenal popular software, both in terms of raw popularity and fans who rave about it. E.g., note the contrast in how people talk about Pro Tools vs. Logic Pro. Logic Pro has some of the happiest users around, but Pro Tools customers talk like they feel like their hostages to the software. That difference is where the quality argument comes in.