I IV V with different accents over the music and different drum sounds is fine, but thats not really music. It's pretty bad when you can pick out the chords progression in 5 sec. Cue the infamous 4-chord song skit by Axis of Awesome.
I IV V with different accents over the music and different drum sounds is fine, but thats not really music. It's pretty bad when you can pick out the chords progression in 5 sec. Cue the infamous 4-chord song skit by Axis of Awesome.
However in music - there is so much badly done human music as well, for me it's nearly impossible to understand the difference between a badly done human music and a high fidelity AI music (the chord progression, happens as often in human music). Moreover, I have put Suno AI on playlist mode before and it's actually been enjoyable, and I am a big AI sceptic! Sometimes even more so than Spotify's own (although they've been accused of putting AI music on playlists as well - but I am fairly sure the weak stuff that put me off was by humans - did I say I cannot differentiate?).
Especially some music genres - like Japanese Vocaloid ; Power Metal, some country, where certain genre specific things overwhelm the piece, AI does a very good job in mimicking those from the best of the best and put meagre efforts to shame.
Here is one AI song I generated in an earlier version of Suno - let me know if anything stands out as AI: https://www.youtube.com/watch?v=I5JcEnU-x3s
and another I recorded in my studio with an artist: https://www.youtube.com/watch?v=R6mJcXxoppc
Kind of sad, especially for composers (which I am trying to be). Ah well, can only keep moving forward.
Also as we can blur the line between instrument and audio; why can’t my piano morph into an organ over the course of a piece? (I’m familiar with the Korg Morpheus and similar; I mean in a much more real sense).
An no disrepect towards anyone using AI to create music, it is here and unstoppable, but I don't currently use generative AI in music myself. Yeah, think for performed works for a live audience (at least in classical music), most people want to hear music composed by humans (for the most part). Hopefully, will stay this way for awhile, otherwise, I've been going down a road that goes nowhere. Ah well, wouldn't be the first time:)
Someone on HN, don’t remember who, made the observation that some artists mistake mastery of tools for the art, whereas artists who focus on the actual art can roll with changes to the tools.
But, AI isn't just a tool, it's actually generating musical ideas at a highly finished level. For the first time, we have something that takes over a substantial amount of the creativity used to write a piece, a process which has always been the domain of people, and it's doing it at levels that are close to what the best skilled humans can do. Yeah, this isn't just something that aids creation, but is doing the creating itself.
Maybe one day, will use AI to create substantial amounts of the music I write, but am not nearly at that point yet - don't think most classical concert audiences want to got to a concert hall to hear AI generated music, but that may change. Guess we'll have to wait and see.
Music is more about the human that made it and their relation to you than the sound properties themselves. Same as other art. The more indirect the music process and the further you are from the living experience of the human creator, the less it resembles art. I feel art is more of an spectrum rather than a binary switch and the metric is how much direct human involvement did the audio experience have in terms that you can relate to.
Remove the human completely and you just have sound. It is likely that something like bepop, gabber or industrial synthwave would have been considered "sounds" rather than art by medieval folks or Mesopotamian people if they heard the sounds without knowing whether the source was human or not. Same with us if we were to heard some music from the year 3200 or 4500, we would likely not consider it music.