The professional equipment sounds the best, but the audio device alone (sans mic) was $1200.
These days, I use the pencil mic with a Scarlett device. It sounds good enough for my recording needs (I post-process everything regardless). It is out of camera, and pencil mics (or shotgun) are what pros use in camera studios.
If you don't mind having a big mic on camera, the Fifine is a lot of bang for the buck. If you are a brand person, go for the Shure.
A headset is great for minimizing sound when talking with others (say for a podcast interview), but I have yet to find one that is comfortable for using all day (I'm often teaching day-long courses).
The average software salary in the US is about $10k a month. Few spend that much on audio equipment.
also original post only actually recommends $100 - $200 mics, so this entire subthread has been a bumbling series of utter nonsense
As a bonus, it has a hardware mute button on it. Now I usually leave my Zoom unmuted, and use the button to toggle whether my coworkers can hear me. It's more convenient than clicking the Zoom button or finding the keyboard shortcut.
Shotgun mics popular among low-budget filmmakers (think: people who shoot local commercials, little indie films and shorts, and, when desperate for cash, weddings) would also be a good and fairly cheap way to go, though they may require other hardware to function.
There are a few modern improvements on it, such as the Yeti X.
The USB connector is not an issue for me, because the mic is connected to a docking station/computer display.
The sound quality hasn't been an issue yet, and I've used it to record some game assets, etc...
Have you used Yeti X? If so, how does it compare to Blue in practice?
Going the dynamic mic route can end up costing a bit more, but worth it in my opinion. Unless you have a very quiet environment and don’t need to type on a keyboard or click a mouse while on calls.
Possibly Jitsi doesn’t do it as well as Zoom or Google Meet, so my experience on Jitsi was a night and day improvement switching from Blue Yeti (cardioid mode) to a dynamic mic.
Def use the mic with a pair of wired headphones/earbuds to use the live/direct monitoring feature.
My team used to have a lot of issues with people mics being too loud or too quiet without realizing. Getting everyone on that mic and specifically using direct monitoring has solved that issue.
The "podcaster mics" will work too but they are designed to be pulled up to your face. If you don't want the mic in camera then you will not get great results with them.
Frequently available for $50 and supports live headphone pass through if that’s your jam.
Though that might say as much for the company provided mic as it does for the BC ones!
The software is also surprisingly useful, and includes a mixer and real-time-audio effects which are expensive to do outside of the software on macOS.
https://www.logitechg.com/en-us/products/streaming-gear/yeti...
It works better if you're really close, but .5-1m away still sounds fantastic (I work from a 3x4m sized room, with some outside noise).
Cons: it's quite big
Agree that the best mics for speech are headsets that tightly control the position of the mic.
These are about $1,000 and look (though looks may be deceiving) shockingly easy to accidentally destroy, to save anyone wondering a Google.
Listen to a bunch of the shotgun mics on youtube and see which your voice might sound the best with.
Every now and then (once every 1-2 weeks) it drops off of the list of inputs on OSX but unplug and plug it back in usually fixes that.