That's to say, the task may feel insurmontable at first, but if you give time to your body to adjust, it should become easier.
Thinking about it, this recalls me of a Leonardo quote (pertaining visual memory then):
> « I myself have proved it to be of no small use, when in bed in the dark, to recall in fancy the external details of forms previously studied, or other noteworthy things conceived by subtle speculation; and this is certainly an admirable exercise, and useful for impressing things on the memory. »
I remember reading about similar observations regarding visual memory, where students trained to memorize visual information would outperform their peers (observations perhaps in the 1800s/early 1900s, IIRC a woman was in charge of this).
For Japanese I use a keyboard.. should be fine but.. no. Whenever we're at a table and need to jot something down on paper, or near a whiteboard, I feel like an illiterate person, because I can't write by hand. I can read stuff I can't write. Even hiragana. I never did enough practice. My wife writes down everything so easily.. and I can't. Writing romaji.. argh. I hate that I can't write, by hand, what I can read.
Classical methods would have you drilling characters for hours upon hours of wasted time.
> It takes about 10 seconds or so to set an image in your mind of the scene for a character, then a handful of reviews over the following weeks. Then you never forget it.
But after a few hundred kanji the system starts to get so complicated, with more and more elaborate and contrived mnemonics, that IMO it isn't worth continuing that approach. But that's fine, at that point you're already on board and can learn the rest from reading real texts.
(The negative of abandoning Heisig after the first few hundred kanji is that you also stop writing kanji at that point.. which adds to my difficulty of hand-writing Japanese)
There are in fact many people who have learned 4000+ Chinese characters, using this or other methods.
Aside: Do you learn simplified or traditional? I learned traditional. I would have anyway because my wife is Taiwanese, but I advocate others to do the same because it is arguably the same difficulty if not easier. And going traditional -> simplified is tractable whereas the reverse is not.
Learning the Heisig method is similar: learning from a perspective of handwriting is easier, and you get the ability to read “for free.” It’s a better approach, even if you never need to write by hand.
It's divide and conquer. When you are reading the book, you are indeed just learning the characters. It's a significant ~2-3 month investment that maybe doesn't make sense unless you plan on living and working in the country. But once you've gotten through it, it absolutely feeds back into vocab acquisition, since the characters are now completely unambiguous to you. Much like how Latin/Greek helps with English, you can also work out what entirely new words might mean if you are familiar with their characters.
The time is better invested in simply studying how to distinguish visually similar characters. That alone solves the problem directly.
> The time is better invested in simply studying how to distinguish visually similar characters.
But you still have to know what you're distinguishing between, which might only arise after repeated mistakes. Heading off this frustration directly by studying characters may not have been the best use of my time in absolute terms, but it did wonders for my overall motivation and made me feel like I was doing more than treading water. Pre-Heisig I was reading specific books intended for foreign learners, while afterwards I was just reading the newspaper.
>But you still have to know what you're distinguishing between, which might only arise after repeated mistakes.
I'm learning Korean at the moment and it's particular brutal for this IMHO. Some words have taken a long time to properly understand due to repeatedly mistaking them for very similar words, and there are a lot of these in Korean.
> language acquisition or just memorizing characters