And authors gaining editorial control is why so many books later in a popular author's career are worse and worse - no one able to trim them.
As examples I'll pick Neal Stephenson and J.K. Rowling. Even the fans have to notice how their work has gotten bigger and sloppier.
Years later a new print included both endings and staged an essay contest to decide which is the "right" ending.
But I think that has to do with the clear change in his writing style, which has diverged from my personal tastes. So it's not a judgement call on his writing either way -- we've just grown apart.
I wouldn't call those "later writings," he's written quite a few excellent (and better) books since. Anathem, Seveneves, and Fall; or, Dodge in Hell were excellent. Termination Shock was a quick read.
I've since gone back and re-read Cryptonomicon. I don't know know if I'll redo the whole Baroque cycle, (Because it was so long,) but I do have fond memories. I suspect it's the kind of book that's better the 2nd time through.
BTW, Fall; or, Dodge in Hell ends the Baroque Cycle. Enoch Root is in that book and we figure out what he really is.
I think the Baroque Cycle was an outlier. It was long, and boring, and plodded.
Early works were good, later works were good. There wasn't a phase change and later works went downhill starting with Baroque.
Not everyone can bat a thousand.