I hate making analogies, but if we make humans plant rows of potatoes, should that command a higher price and seen more valuable than planting potatoes by tractor 20 rows wide?
I hate making analogies, but if we make humans plant rows of potatoes, should that command a higher price and seen more valuable than planting potatoes by tractor 20 rows wide?
No, we should absolutely be giving bias to humanity. Flesh and blood humans matter, their lives matter, their thoughts matter and their work matters.
Machines are tools for them to use not entities given the same rights and same consideration.
I reject your whole premise.
Well ok, that was 300 years ago and views have changed dramatically since then.
People have the choice to continue making stories and they'll have a fanbase for it and always will, because that's ultimately apart of freedom and choice. Many are less what I'll call purists here, and don't care about how it came to be, they just want a quality story.
What you're loosely proposing is art being a protected class of output, when we have tools that can match and soon with the potential to surpass. Is that not a terrific way to stunt what you're trying to defend?
For transparency, I am an advocate for human made art, but I am against stunting tooling that can otherwise match said creativity. I see that as an artform in itself.
I think AI art will by definition never surpass human art. Humans can be inspired by things other than the art of others.
If you believe AI tooling is an artform then you categorically are advocating against human made art as far as I am concerned.
You are free to think so, but it really doesn't make you an artist any more than wearing a medal you bought second hand makes you a war hero.
Something else did the work and you're just claiming credit. It's honestly kind of sad.
prompting a search engine to stitch images together on your behalf might result in an image you can call art, but imo all the art generated wholecloth like this sucks. necessarily derivative. put into the world without thought.
My favorite critique of LLM work: "why would I bother to read a story that no one bothered to write"
It’s very easy to make bad art quickly with powerful tools. It’s also possible to carefully craft prompts which generate amazing results that win awards. Source: I’ve done this. You should see the reactions when people have heaped flowery accords on a drawing and then find out it’s Dall-e. The irony of the transition from “art is rebellion” to pearl-clutching is almost the best part.
That critique says more about your understanding than it does about the work.