Also tbh when people think of brutalist aesthetics they usually think of the same few grand building (like the Barbican Centre in London) that costed a lot of money, are constantly maintained to this day and are kind of an one-off. The day to day reality of brutalism, unfortunately, are huge blocks of high density houses in terrible maintenance conditions (reinforced concretes dissolves easily and leaves leaks and rusty rebar exposed) that cannot be replaced anymore.
Btw, I'm neither a socialist or proponent of modern architecture. Will call those out for their bs anytime too.
I am so tired of this. No, I am not siding with socialists. I despise them, but I don't make the mistake of blaming bad things like me stubbing my toe on "socialism" just because I don't like a group of people.
Brutalism isn't socialism. I hope you will remember that.
I’m sure one could source enough talent for few baroque villas or such but I have no idea what the budget would be.
Obvious example is Gaudi’s La Sagrada Familia - don’t know how much of that is ’traditional’ vs ’non-traditional’ though.
I think we romanticize in our day and age the “method”. That is, we think that gothic architecture can only be built using the methods of the middle ages, that otherwise it is “fake”. It’s a strange prejudice that would have been foreign to the builders and architects of the original gothic cathedrals. These were people who were at the cutting edge of architectural technology and skill, certainly the cutting edge in Europe, not people who romanticized “being artisanal”. Frankly, the sophistication of gothic architecture rivals much of what we build today in many respects.
We also suffer from the strange, progressive, prejudiced belief that older styles are “anachronistic” if used today. They’re just styles. What does time have to do with anything? Architectural developments since the middle ages might change how we build such architecture or remove what had previously been a constraint imposed by the methods of the day (note the neogothic), but the essential character can remain the same…or it can undergo development.
I think that the availability of CNC machines makes architecturally beauty all the more accessible. Why we aren’t taking more advantage of the possibilities, I don’t know.
Institute of Classical Architecture & Art : https://www.classicist.org/
National Civic Art Society: https://www.civicart.org/
That makes it sound like somehow only those people can carve stone? That is far from the truth.
Look at this guy for example: https://www.youtube.com/watch?v=GTCVaDTxTC4
He is a young fella somewhere in a UK happily knocking on stone until it becomes part of a cathedral. It is merely an economic decision how many of the like of him we wish to pay for.
Such as the stonebridge from Mostar.