That probably applies even more to Lovecraft, who's one of my favorite writers, but I know plenty of people who don't like his writing but are really into Call of Cthulhu and other Mythos stuff.
We should do a better job of remembering that, because the reason none of that survives is "the Nazis murdered everyone". Particularly given the direct adoption of Nazi-era phraseology in modern political movements.
Unsurprisingly, the film sanitizes things a little bit and makes it into a Liza Minnelli star vehicle--which actually improves on some book problems with the stage version but sort of makes it less interesting overall. Still worth a watch though. The stage version is still playing in London.
The play uses the idea of being able to phone another table as well.
https://www.youtube.com/watch?v=LdFasmBJYFg https://archive.org/details/BerlinSymphonyofaGreatCity
Today's rhetoric has the charming variety of "exactly the same" to "distinctly similar". Blood libel, for example being exactly the same as what Qanon believer espouse, and reactionary rhetoric about drag performers being distinctly similar to "degenerate art". A 1500 person poll had 50% of Republicans believing in a pedophile cult among democrat Elites[1]. 25% identify as believing in Qanon, which is literally blood libel [2].
So no, not using it in a positive sense, at all.
1: https://today.yougov.com/topics/politics/articles-reports/20... 2: https://www.prri.org/research/the-persistence-of-qanon-in-th...
https://en.wikipedia.org/wiki/Cultural_Bolshevism https://en.wikipedia.org/wiki/Blood_libel https://en.wikipedia.org/wiki/Degenerate_art
The context of the thread was that, like modern western culture, early 20th century German culture was highly stratified, and as such, increasingly polarizing. So far I think your comments support this comparison.
I suspect weimar berlin is just pretty difficult setting to utilize; in particular you would be trying to draw inspiration from and evoke art/media of the time, which in this case would be stuff like German expressionist cinema and modernist literature which do not have exactly mass-market appral, compared to e.g. victorian era works.