I was incredibly lucky to work at the Internet Archive the same time as Mouse and couldn't be more proud of their work on BookWyrm.
Open Library and its network of generous volunteers have (I hope) made a lot of positive progress towards cataloging the books that are out there and making them more accessible to the world. AND it's absolutely the case that our project exists to support innovative projects like Bookwyrm and incredible thinkers like Mouse.
Open Library can't and shouldn't be everything. It's hard enough doing well at one thing. The Open Library team is considering how we may be able to participate within the decentralized ecosystem by offering a BookWyrm instance so readers may have more ways to socially engage with each other and connect around books. If you're interested in helping us try this as an experiment, please reach out <mek@archive.org>!
I appreciate how difficult it is to run a service which gives communities voices (it requires moderation tooling, staff, and so much more). I'm impressed by the thoughtful, impressive, and creative work Mouse has done building BookWyrm and am super grateful for its progress which I see as being a win for the entire ecosystem (an ecosystem Open Library is proud to be a piece of).
Keep it up <3
P.S. the fact that many services like Mastodon or BookWyrm may have large primary servers is not a demerit. The fact that there are smaller local servers, that new servers can emerge over time, and that engineering thought is being put into how data moves through such environments is key to acknowledging the importance of creating safe communities, promoting archival strategies, and enabling accessibility. Many people use GitHub (centrally) and also use Git (centrally) and the fact that many common use-cases have been centralized do not undermine the significance of the times where small, high impact cases are able to succeed because decentralization has made them possible.
I have a half-finished project that scans barcodes with the webcam, looks up the information in openlibrary, speaks the tile out-loud and records the output to a file that tellico can import.
Some people might note that tellico can take a list of ISBNs on input, so the extra step of OL lookup seems redundant. A lot of bookstores put their own barcodes (sometimes over the ISBN) and there can be namespace collisions between those barcodes and the ISBN. Looking it up on OL and reading the name out loud lets you catch these issues when scanning. There's nothing worse than scanning hundreds of books and then having to go back through to find the dozen of them that scanned wrong; by reading out-loud the OL information, you can just set them aside immediately and enter the information manually later.
Here! Check our @cdrini's https://openlibrary.org/barcodescanner
I completely understand wanting to use a service that has the books you're looking for and would also completely understand if it's too much work to type up the examples. If you'd rather not do so publicly, happy to receive your email at <mek@archive.org> and do what I can to help. Thank you!
Here it already only has the printed version, not the main kindle version (his books are KDP, so sadly Amazon-exclusive). It’s also lacking the Series title (Scattered Stars: Evasion), only having the book title "Evasion".
Missing from the series are Discretion (Scattered Stars: Evasion Book 2) [1] and the new Absolution (Scattered Stars: Evasion Book 3) [2].
Looking through his other works, they all seem to only have the print version.
I’m also not sure if the ImportBot [3] is official, or just one huge contributor, but it could really do with some kind of information, including how something like this could be fixed, or if it can.
[0]: https://openlibrary.org/works/OL26413643W/Evasion
[1]: https://www.amazon.com/gp/product/B0B57FV55Q
After GR removed the ability to add books manually by users and added stringent rules for them to be added to consideration by "librarians", I stopped using GR.
I read a lot of obscure books that often don't have ISBN or an webpage (!). I can't track them or add them! It was so unfair.
So, I moved to OpenLibrary and have been using it ever since.
I read some books cover to cover, and some are kept as references. Books are mainly on Math, Philosophy, and History. There are other topics, too.
I read in 4 languages and GR is very Anglo-centric. That's another issue.
I wanted to track my to-read and read for every book that I found.
I cannot do that with GR anymore.
(I am unsure to whether you are asking about my use case about the sites or the books. So I answered both.)
Let me not even begin to talk to you about finding papers (analyses of other artists' works, musicology etc) if you're not affiliated with a university. You need a fortune to keep up with the field, or be arrrg (and it's not easy to find musicology papers in SciHub compared to other fields).
In this aspect we're significantly worse than how things were back in 1800s, 1900s or early 2000s.
One of the most striking developments in the last 20 years is that so many of those European publishers are making a lot of their study scores free to read online. Apparently they have given up trying to make money from ordinary music lovers and are OK with selling just to performers and libraries. Back when I became a huge fan of a somewhat lesser-known European avant-garde composer, I despaired that it would cost many, many thousands of euro to buy the study scores of all his pieces. Now they are right there for free on the publisher’s website.
Otherwise, piracy largely fills the gap, although many composers have some famous piece, the score of which is impossible to ever see. Boulez’s Répons and …explosante-fixe… are my usual examples of this – all the rest of his scores have circulated in pirate circles for well over a decade. Someting like Magnus Lindberg’s KRAFT is probably not easily found because its score is a meter tall and therefore difficult to scan.
With regard to pirated scores, that mainly happened on filesharing networks like Soulseek and DC++.
> almost never get something for niche composers in the last 10 to 20 years.
Why don’t you just write to them and ask for a PDF? As you know, composers are usually happy to hear of any interest in their music, and (just like academics and their research papers) they don’t always agree with their scores being “behind a paywall” for personal use.
More information here: https://www.youtube.com/watch?v=bp2aowF0jUw
[0] https://www.npr.org/2023/03/26/1166101459/internet-archive-l...