Copyright exists to allow them to turn a tidy profit so they're properly incentivized. It's not there to enable their delusions of control nor their perpetual rent seeking. They've already turned their profit, now it's time for the works to enter the public domain. Nobody cares whether they like it or not, it's human culture and it belongs to us all.
It is not property like a physical object.
You don’t get to misuse violent power of the state to control spread of arbitrary information
Also, people may keep works private not because they lack value, but for other reasons.
As a very simple example, a someone might take a racy photo for their own private use, not because it would have no commercial value, but because they prefer not to commercialize it. And there are hundreds of other reasons why someone might choose not to share a work with the world.
As much as I wish that my meeting notes from my standup this morning were good enough to become a cultural icon, I'm pretty sure the entire planet, including me, will forget about them next week. Mundane creations like this consist the vast majority of copyrighted works.
And what makes your opinion and rights more important than theirs?
> Culture should belong to us, not them.
Doesn't culture belong to everyone, even those creating it? There is no "them", it's only "us."
All you'll do with your approach is make creators less like to ever create unique works.
You gotta be kidding me. They literally own our culture. In the most capitalistic sense imaginable. Actual government-granted monopolies on ideas, bits of information. Works you grew up with? You and your children will be long dead before they enter the public domain. If they could delete the copy you have stored in your brain, they would.
> All you'll do with your approach is make creators less like to ever create unique works.
Whatever. Let them find another job then.
That's the deal.
It's a complete violation of the spirit of the copyright agreement to take advantage of the financially useful period of monopoly over the work, then use the remainder of the exclusive period to try and ensure the work cannot be archived and cannot enter the public domain.