> Outside of fundamentally better workflow improvements, most professional fields don't randomly change their tools. If you gave a professional artist a new pencil that had to be gripped differently for no reason, they'd throw it in the trash.
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> But in software, we tolerate buggy tools that change all the time for no discernible reason. We tolerate software that simultaneously targets professionals and casual users, serving both segments poorly. We tolerate software that can't be customized or adapted for specific workflows. It's tough to put into words, but if you watch a musician or a painter interact with their tools, there's a very clear difference that emerges, and over time you start to realize how much better all of their stuff is.
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> In most professional artistic settings, workflow changes only happen because they have a clear benefit -- drawing from your shoulder instead of your wrist, changing your embouchure if you play an instrument. And even in those fields, it's generally accepted that over time people will end up with very specialized setups that are very consistent and refined and that remain constant for years and years.
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> Only in the software industry would someone tell me that my professional tools should change because change is inherently good. Only in commercial software would an elegant, consistent interface like Markdown that allowed me to build up decades of muscle memory until my computer was an extension of my fingers and I didn't need to think about the way I typed -- only in software would that be considered a bad thing.