It's pretty easy to counter your assertion by simply saying, "I find no value in the original work but I find value in Warhol's rendition". Since the argument is that the court is supposedly defending Goldsmith's right to prosper from her works, then you cannot say that she would have benefitted unilaterally because I would not have paid her for her art, only Warhol. Personally I don't care for Warhol much and I'm using the royal I, but to say that applying a filter to an image cannot create a new work is, I think, preposterous.
Personally I don't think this case has clarified "fair use" one bit. All it does is add more confusion into the mix. So if Warhol hadn't commercialized the work, would it have been fair use? That's now an open question after reading the supreme court's majority opinion/ruling.
All this case does is demonstrate that in this specific instance 7 of 9 judges didn't obviously see how Warhol's work transformed the original source material enough to constitute a new work, or Warhol foundations' lawyers didn't make it obvious enough. And it now throws into the mix that "fair use" is not solely dependent on the idea of transforming a work, it's in fact way more complicated and so yes let's open the flood gates for a bunch of new copyright cases arguing that one artist, even though they did transform an original work, was too adjacent and not distinguished enough to constitute fair use.
I mean honestly I'm super confused how to interpret fair use now.
> But the real scandal is that copyright survives the artist. Marvin Gaye, Andy Warhol... Dead guys. So called "estates"... Insects feeding on corpses.
Agree.