But when you he cinemas were forced to show French film in. x amount of screenings, desperate not to lose money they started to fund the films themselves and make films that were as profitable as possible.
This led to a positive loop where 1. The cinemas would look for lucrative films to fund 2. Creating a demand on local filmmakers to make films that people wanted to see 3. Which became hits 5. Leading to cinemas looking for more French films to put on
Etc
There's a clear quality funnel here: In any creative work, we're really looking for positive outliers. Suppose talent is normally distributed. Increasing the size of the funnel's input means you've got more chances to find the best outliers. If you've got a very tiny funnel, most great actors and cinematographers will become accountants and bicycle racers instead of winning Oscars.
But not for TV? Is it maybe the fact that music has lower entry requirements for smaller artists to take off ?
While TV requires large scale production, thus if an overworked producer is making a “quota” product for TV, they might actually do what people are describing and rush something just for the 30% time they have to fill in.
It’s interesting because certainly it seems like there’s some relation to scarcity. The time on cinema screens is very scarce so the French cinema example seems to have worked. While radio, even though there are a lot of radios you still have some limits due to AM/FM bandwidth, plus radios differentiate with genres so 30% time on Canada radio means 30% time on rock, rap, jazz, etc.
But TV doesn’t work like that. So I wonder what factors played into the TV quotas not working.
I like a bit of our culture from time to time (and also of France) but forcing it on people make no sense. Kids will keep on watching Youtube, TikTok all in english, that ship has sailed.
What is this rule?
https://www.emsb.qc.ca/emsb/admissions/eligibility/standard-...
It's remarkably convoluted.
Granted if it was just say a class about ... something, whatever, but picking the full time language for the school is a lot for someone else to decide for me.
I suppose the argument is that if the parents picked they'd just pick one and there's no choice but I'm kinda ok with that.
We often think of moving out of Québec/Canada to escape government encroachment in our lives.
A French Canadian expat here in the bay told me once "if our language is to die out, at least I'll make sure my kids are free".
I think had '95 turned out differently, some VCs here would be a little bit poorer, but the Republic of Quebec would have kept a stellar engineer.
> As an example I cannot send my kids to english school (because I went to french school) but my neighbor that is as french as me can.
Sounds these laws needs tightening. No reasons to operate two parallel school districts.
The "90% bad TV" also happens everywhere, especially in the US. The number of CSI spinoffs must be really high.
One of the dangers from YouTube/streaming platforms in regard to French Canadian content is that the economics is just not the same. For example, Linus Tech Tips have a global reach since it's English content. M. Net (now defunct tech show in Quebec) or something similar would not even be closed to compete monetarily.
> Now if we could actually produce quality shows it would be great (right now its like 90% bad soap/romcom/cop shows)
Disney and Marvel made billions of dollars simply making content people want to watch and pay for, why not simply do the same and compete in the marketplace? Imagine how ridiculous it would be if there were quotas on iPhone sold so that BlackBerry still had a legally mandated market share.
> more money for culture in French.
By the state sponsored media?
Weren’t they making blatantly racist “historical documentary” (with taxpayers money) a few years ago? [0-4] Are people ok with this?
Aren’t the French Canadians notorious for buying and consuming their own culture? I work with a few French Canadians who have been here in the bay for decades and even their kids (born here in America) watch French Canadian content (on TikTok no less!). No need to subsidize it, they just seek it because they want to watch it.
When you make something that’s worth it, people simply watch it. That’s why Parasite won an Oscar.
[0] https://www.huffpost.com/archive/ca/entry/cbc-the-story-of-u...
[1] https://this.org/2017/07/19/where-cbcs-the-story-of-us-went-...
[2] https://etcanada.com/news/217608/cbc-issues-apology-after-th...
[3] https://montrealgazette.com/news/local-news/couillard-govern...
[4] https://www.theglobeandmail.com/news/national/cbc-apologizes...
This is unchecked capitalism and it is self-destructive (to the larger society) which is why it's necessary for anti-competitive laws and large breakups.
Not sure if we should go in to the debate of gov's role vs capitalism because that-can-of-worms^tm, but "pure market forces" is great, but only true up to a point.
Creators are breaking a million subscribers online simply by making content people like and want to watch. On a shoestring budget!