(I was told I was a musical savant, and once I was told that, I was scared away from music... my Violin teacher was known to be owb of the best, SO i dont know what "perfect pitch" is, as I attribute it to 'bad actors'
(I was told I was a musical savant, and once I was told that, I was scared away from music... my Violin teacher was known to be owb of the best, SO i dont know what "perfect pitch" is, as I attribute it to 'bad actors'
If you had perfect pitch, I would be able to play notes on a piano and you would be able to distinguish each. There is a continuum of perfect pitch - some may have perfect pitch after they have warmed up, others may retain their perfect pitch for a short time after they stop playing and others (apparently) always have it. In that aspect, it’s a little like memory.
Mozart and Ella Fitzgerald are two famous people you’ve likely heard who had absolute pitch though I have never read or heard anything that suggests either found it terribly useful. Of the musicians I know who have worked to develop it, it’s mostly kind of a party trick.
If you’re interested in perfect pitch, you should likely learn about relative pitch as well. Whereas perfect pitch refers to the ability to correctly distinguish a note cold, relative pitch refers to the ability to distinguish notes in relation to each other.
Allegedly, Mozart transcribed Allegri's Miserere after hearing it performed once in the Vatican: https://www.classicfm.com/composers/mozart/guides/mozart-all....
Perhaps apocryphal, but sounds pretty useful to me.
It’s “just” insanely good memory for music.