Do you recall the title or author of that paper? I'd be interested in reading about the contradiction argument you mention.
I think Colour is what the designers of Monolith are trying to challenge,
although I'm afraid I think their understanding of the issues is superficial
on both the legal and computer-science sides. (...)
[1]: http://monolith.sourceforge.net/I personally feel comfortable taking the position that anyone claiming that bits have color has an objectively wrong view of reality. I don't think that position needs much advocacy, though; reality always tends to win in the long term. It could certainly use a little help sometimes, though.
Granted, the fingerprinting algorithm used by YouTube is pretty good: http://www.csh.rit.edu/~parallax/
As an, albeit somewhat contrived, example:
Let's say I have a music player on my computer that, when fed the works of Shakespeare, it plays the Gaga's latest hit and when fed with the works of Sir Arthur Conan Doyle, it plays Jingle Bells.
My actual intent is to read Shakespeare and to listen to Jingle Bells, but that is going to be a pretty difficult case to prove in a real court of law. The assumption will be made that I had the player and copy of Shakespeare so that I could listen to Gaga.
Theoretically, unless Shakespeare has been interpreted by said program, I have not committed any crime. But precedence disagrees. Just having the right sequence of bits on your computer is enough to prove intent, whether your actual intention was to use it to violate copyright or not. That is where I get lost.
EDIT: I think I found it at http://www.findthatfile.com/search-31270472-hPDF/download-do... . The name of the file is "CopyNumbCJ.pdf".