>$60 for a beautiful work of art that you'll remember for the rest of your life is the deal of a lifetime, whereas $60 for a forgettable, shameless cash grab is a complete rip-off.
I don't think this is how experiences work. Because you haven't had them in the first place, there's no way whether you'll like it or not. Second thing is, what's the point of the pricing? Covering the expenses of the creator, publisher? Making them have a buffer for a future work? Extracting as much from the people as they can? These yield very different outcomes.
In the end, pricing making sense boils down to one's economic view. If you think about it, it's about the fairness of the compensation, and so, the thinking centers around what's fair, how to ensure fairness, and whom should be included in fairness and to what degree. And so, you get the "let the market decide" people, the "manage it centrally" people, and many other people too of course. And pricing might make sense only in a framework like that. With no framework, it will never make sense.