None of this is true, nor does it need to be. As my photography professor says, “digital is better, but I don’t want better.”

Roma is as beautiful as anything shot on film, Amelie from 1995 is as teal-orange medium-shot photo filter as anything on Netflix. The Crown is often beautiful because of impressive practical lighting effects.

[EDIT: Amelie is from 2001, I mixed up the date with the same director’s City of Lost Children from 1995]