More than that, I think it's important to remember that no one, even a technologist as strong as Carmack, is going to get more right than wrong.
Carmack has been a huge inspiration for me over the years. I grew up eagerly reading his plan files.
But if we look at the big picture, a lot of his big calls haven't in fact worked out.
His vision for the future of graphics was to stick closer to the original OpenGL state machine, and just make it so blazing fast you could do complex lighting and materials via accumulating 100's of passes per frame. The world chose shaders instead, and I don't think they got that wrong.
Stencil buffer shadows were a dead end.
iD tech used to set the standard for the entire industry, but long term its totally lost out to Unreal and Unity.
Carmack's ideas around sparse voxel trees were really interesting to me at the time, but now with hindsight I can see he totally misunderstood what artists want/need. They don't want to uniquely paint every bit of the game world, they want tools that let them use instancing and smart materials/shapes. In comparison Unreal's Nanite gets this totally right. Artist productivity is the key constraint in both film and games.
I don't say this to be pointlessly negative. As I said JC is one of my personal heros. But the problem with the "superman" approach to coding is no one is in fact superman, even someone like JC. It's just not possible to get complex calls like this right long term. If you don't pay that some respect in your interpersonal behavior, you are gonna end up alienating people.