6 month read-through/discussion of Gödel, Escher, Bach starting 1/17 on Reddit
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I think I get strange loops, recursion, self-reference and the metaphor of the anthill. I still think I'm missing something with breaking the record players, but based on my understanding it's a metaphor for incompleteness.
I think the far more interesting observation is that octaves in music work this way, where we as humans somehow perceive frequencies in a 2:1 ratio as "the same, but different." A 440 and A 880 aren't the same pitch, and we can clearly perceive the difference between them, and yet the seem "the same" to the point that we give them the same letter and think of them as the same. I find that very interesting and slightly mysterious.
Anyway, since music is my area of expertise (as opposed to the other things described in the book) I lost faith that his explanations of the other subject material wouldn't have similarly sloppy thinking. The impression I got was that, in an effort to weave an interesting and engaging narrative, he was too quick to see things as instances of these fanciful concepts like "strange loops."
http://en.wikipedia.org/wiki/Shepard_tone
This is a common concept in music synthesis, as you can create an endlessly rising 'melody' by repeating only 1 octave of some properly constructed timbres. This is the 'strange loop' he's referring to.
Near the end of chapter 20, there is an example of a harmony that, when looped, creates the illusion of an endlessly rising melody.
In this harmony, the loudness of each note in the melodies rises and falls so that the lower melodies feed into the the higher melodies and ultimately fade out. In our brains, we hear this as an endlessly rising melody.
Edit: first time until I got lower down this thread, wow!
disclaimer: I did not read the book.
I have the firm belief that figuring out how the brain works will not be accomplished through pure mathematics, but through scientific inquiry.
The record player is a Turing Machine interpreter. The "blowing up" is going into an infinite loop, or stopping the record incorrectly when it would have in fact terminated. The record player doesn't blow up if it A: runs a terminating program or B: correctly stops the record by determining the program will never halt. The differing record players represent the fact that you can write interpreters that will detect certain cases of infinite looping, but the halting problem prevents you from catching all cases. The repeated sequence in the book is:
1. A new "guaranteed safe!" record player is produced 2. A record is produced which breaks it (a program that loops but gets past the player is produced) 3. Goto 1.
At least, IIRC, it's been a few years since I read it.
Thank you!
However a sort of online book group is something that I might like and would solve a real problem I do have. It may be to niche to make a company out of. That said, what sorts of things would a site (platform?) need in order to be successful at creating guided, curated, experiences such as a book group.
(I agree they could probably be improved by specific changes for online book groups)
1) Real time communication along with some async comm.
-Real time comm needs to be archived in a readable form
2) Method for an instructor(leader) to create 'outlines' and have those bullet points contain conversations.3) The ability to "sign up" for a book / experience.
-When we get enough signups and a leader we schedule a start date.
4) A method for people who want to participate at a later date to feel involved and "step though" the old forum / chats at the speed they happened. -A way for slow people or later people to use the site without spoilers
-A way for two groups doing the same book at different speeds to work together.
5) [random idea] Make users anonymous to each other... Except for the moderator.6) Track books participated in.
7) [random idea] Does this idea make more sense as a specialized learning system for literature courses?
All the ideas I have right now.
For example, integrating async and real time is an interesting problem. I've also thought about this with respect to my gmail account. Some emails are one-off questions, but others are an ongoing dialogue which start to blend with chat. There is a continuum there.
Something else I've wanted is the ability to easily, within the site, branch off a discussion with a specific person on subgroup. Sometimes you want outside input, but it can be easier to get into a deep discussion if you are both reading responses carefully and following up. However, in that way, anonymous wouldn't work.
Considering 2 and 7 - I'd love to have such a system used in any course. Blackboard tries to be this, but is clunky, and others I'm sure exist. I imagine, rather than an outline, a real-time web/map (in fact, a sort of hierarchical tag cloud representing importance and relationship) that grows as ideas are added, with more detailed discussions under different headings.
For the most part, I wouldn't worry about spoilers. The most valuable discussions I've had regarding literature have been: read the book first, then read it a second time, together in pieces, and discuss along the way.
A starting point, anyway :-)
He was an engineer just as I am, but I always admired that his bookshelf was brim full of knowledge from completely different areas, spanning psychology, biology, medicine, art and music.
That aside, offering to help people with a difficult book is different from flaunting having read the book.
I've read half of it in 8 years, so maybe it's time to redo the whole process from beginning to end.
I would reread
"Zen and the Art of Motorcycle Maintenance"
http://www.amazon.com/Zen-Art-Motorcycle-Maintenance-Inquiry...
before I woud crack GEB open again. In fact I discarded GEB. My belief is that the Devil himself collects these discarded old volumes and passes them out as reading material to nerds in Hell.
For 8 years you've been wasting your free time. Sell the GEB and read Nagel's "Godel's Proof" (see my other post for URL) instead.
The Intergovernmental Panel on Climate Change said "In the long term, a sustainable forest management strategy aimed at maintaining or increasing forest carbon stocks, while producing an annual sustained yield of timber, fibre or energy from the forest, will generate the largest sustained mitigation benefit".
http://www.ipcc.ch/pdf/assessment-report/ar4/wg3/ar4-wg3-cha...
I've got a Kindle but I wouldn't trade my hardcover GEB for an electronic version.
77% of tree usage in the US is for timber and pulpwood. Fast-growing species are planted and harvested over a 10-20 year cycle so that as each section is cut down and replanted, another section is maturing. It's both sustainable business and an effective CO2 sink.
If you want a citation for growing trees for timber and pulp as an effective CO2 sink, the citation is right in the grandfather post (an international climate change study by the IPCC including researchers from over a dozen countries, how much more authoritative can we get?), or just look up the paper and timber industries on wikipedia.
Less importantly, I can hold the nook with one hand and still be able to turn pages. I travel by bus, so this is useful to me - my other hand can hold a coffee ;)
It's a scan with OCR. Unfortunately the OCR is bad on many parts of the page - random occurences of %, ' and other characters are common. Also some words are totally unreadable.
Overall, I still read sometimes on the iPad, but having to go back to the hardcover if I'm totally lost.
Oh well, one more dead tree won't hurt anyone.
I can see how the poem translations can get weary, but they do a brilliant job of illustrating his ideas about translation way beyond poetry. I love how he generalizes the idea of translation into all sorts of non-language domains (i.e. translating ice skating skills to roller blading). Now to get past the current set of poems onto the next chapter ;)
http://www.reddit.com/r/BipolarReddit/comments/l7nij/interes...
I don't think this comment is a troll. GEB teaches a relatively thin stream of technical ideas through very precious, "cutesy" prose.
So, you mean "awful" like, at some level of Math/Physics the whole thing seems fuzzy and inaccurate or just "awful" even for non Physics Phds.
I can see how it could be seen as pretentious, but not all round awful. He certainly appeals to many lofty ideas which may not be entirely justified by the technical material, but the technical material itself is certainly sound as far as I can tell. The main criticism I would make is that he does not draw a clear enough boundary between accepted mathematical fact and his own speculation.
For me, the thing I like about the book is that it is almost a total mixture of formal logic and poetry. If you don't like it, that is a subjective aesthetic judgement. Same goes for his prose style.
I suppose if you were already fully exposed to all the mathematical concepts in the book when you read it, it would have a lot less value. If on the other hand it is almost your first exposure to these ideas, it's like freebasing pure logic while hanging out in alice's wonderland. Great fun, but I agree not a formal examination of the ideas. It isn't really meant to be as far as I can tell.
You went to the same school as the author(I presume you mean the OP in the reddit thread), and you knew the professors who taught the guy didn't like the book. Is that all you are basing your opinion on?
GEB isn't a physics book, so I don't see how "the professors who taught this guy" say matters - it's all too common that people don't like books that directly relate to their fields; especially so when they deeply vested in their field.
Also, opinion is divided on usefulness of other seminal works as well; to quote a few from comp. sci. - SICP, K&R, TAOCP.