Padding the paycheques of America's biggest contrarian writers apparently. Greenwald, Taibbi, Andrew Sullivan all have paid gigs there.
Padding the paycheques of America's biggest contrarian writers apparently. Greenwald, Taibbi, Andrew Sullivan all have paid gigs there.
Then again that's what you get when you build two bipartisan monocultures of echo chambers...
You say that like it's a bad thing.
Being a contrarian means that the mainstream media doesn't like them, but apparently enough readers do that they can make bank.
"Mainstream media" is certainly not meaningless. A good proxy would be any organ considered an "authoritative source" by Facebook: NYT, WaPo, CNN, Politico, AP, etc.
As for "fewer readers" I don't know what you mean. The "readers" are paying their money, aren't they?
"Please define 'mainstream media' and no, I'm not satisfied with your definition."
Why is this important? You could make a list of 100 news sources and ask a random sample of 1,000 people to check Yes/No on "is this mainstream media?" You would get a very high level of agreement. It's not my responsibility to give you a definition you're happy with. This isn't a scientific debate.
I searched "mainstream media" on DDG and got a number of definitions. Maybe you could try that.
[1]: https://en.wikipedia.org/wiki/Mainstream_media#The_%22Big_fi...
It can be, yes.
Exhibit A: Alex Jones. Whacky conspiracy theory and snake oil peddler. It's literally in nobody's interest he be published anywhere, apart his own personal financial one.
In most cases there's probably a good reason for someone to be shunned by everyone "mainstream".
No one is worth reading solely because the “mainstream media” doesn’t like them. People who jabber complete fiction are disliked in that way. Doesn’t mean they’re worth the time.
Glenn Greenwald in particular depresses me. The days of his blockbuster stories feel like distant memories, now he just posts poorly edited (or more likely not edited at all) opinion pieces powered by nothing but rage. I genuinely don’t get why people would pay for it.
Ted Gioia is totally worth it. I haven't looked at Greil Marcus' stuff yet.
> But the advances also had limitations. On a per-deal basis, we could never really do better than break-even. A Substack advance was effectively an interest-free loan that would never be paid back if a publication failed.
> With Substack Pro, we pay a writer an upfront sum to cover their first year on the platform. The idea is that the payment can be more attractive to a writer than a salary, so they don’t have to stay in a job (or take one) that’s less interesting to them than being independent. In return for that financial security, a Pro writer agrees to let Substack keep 85% of the subscription revenue in that first year. After that year, the deal flips, so that the writer no longer gets a minimum guarantee but from then on keeps 90% of the subscription revenue
- https://on.substack.com/p/why-we-pay-writers
Depending on the payment it's possible that a writer could lose money on this, because they would have made more from subscriptions than they did from Substack, but I'm guessing for very big names Substack is paying quite a bit more than they would have made from their first year of subscriptions.
Also, this wasn't public for a while and there's probably more that is still not public.
> We haven’t said anything about Substack Pro in public until now because we have been in a “figuring it out” phase, seeing what resonates with writers and how the deals perform over time.
They made a ton of money on Matt Yglesias's advance. His advance was ~$250k, and he brought in two or three times that in revenue (the terms of his deal were: he gets 250k upfront, they get his first year's revenue). I'm not aware of any other writers who've published their numbers, but Greenwald, Sullivan and Taibbi all have a TON of subscribers.
He also points out that Taibbi says "Every one of the Substack Pro writers I know would have made more money not taking the advance", which obviously includes Taibbi himself.
[0] https://astralcodexten.substack.com/p/adding-my-data-point-t...
You are otherwise correct about them not having a “paid gig”. They each built their own large paid subscriber base from which Substack takes a 10% cut. They pay Substack for the service, not the other way around.