This is not really true to a very great extent once you take depth of field into account. At least, it would be helpful if you could indicate what it is exactly that you take the laws of physics to imply in this context. I made a comment here that's relevant: https://news.ycombinator.com/item?id=33426540
I took 'superior optics' to be a claim of greater sophistication or higher quality, but perhaps that is not what was meant, and the poster was merely referring to the difference in size.
A 14mm wide-angle lens with a primary opening of 2mm is never going to let in the same amount of light as a 14mm wide-angle with a 114mm primary opening will. Ratio of the sensor size has nothing to do with the ability of the light entering the front lens. There are some adapters that are known as speed boosters that reduce the exit pupil for full frame lenses that will actually add a stop to the lens.
I'm aware of that – that's the point I made in my post that I linked. But DoF considerations entail that you can't just keep arbitrarily increasing the size of the opening.
https://drive.google.com/file/d/1akuK5v_PB8DwzDnJC1oJXOETr_S...
Without getting too much into subjective territory, I am personally tired of the bokeh obsession. There's nothing inherently interesting about photos with blurry backgrounds (see above for confirmation!) And if you want background blur, achieving it using software effects is perfectly legitimate.
Congrats! You took a bad photo with a shallow depth of field! I guess the photographer does matter more than the equipment.
> Achieving it with software effects is perfectly legitimate
Sure you can. But if you think software bokeh can compete with any dedicated camera bokeh (even a vintage 35mm camera for that matter) than you need to try and use a dedicated camera with a good prime lens, ie 50mm f/2.
The biggest thing that a dedicated camera can get you is simply options. You can choose the depth of field of the shot. You can choose the shutter speed. You can choose the focal length. Sure you have some control over these things in some apps, but it’s not the same level of control.
I shot on my iPhone for years, but after I got my mirrorless camera I have taken so many pictures that never would have been possible on an iPhone.
It is true that a dedicated camera gives you more options. (I did not deny this.)
>You can choose the shutter speed
Pedantic point: you can also choose the shutter speed on a cell phone camera if you use one of many apps that give manual control over shutter speed and ISO.