When I had the numbers, I'd deal with the money. Long and short, I'd rather have 10 thousand people listen to my record and talk/blog/tweet about me / come to shows, than 100 people buy it and 10 people come to my show.
When I had the numbers, I'd deal with the money. Long and short, I'd rather have 10 thousand people listen to my record and talk/blog/tweet about me / come to shows, than 100 people buy it and 10 people come to my show.
This idea that music should and can function like spam email doesn't actually work in the real world.
speaking from experience
I'd prefer someone to discover a song of mine of Youtube, or read about me in a blog or a Twitter post, and spend the day streaming everything I've done - come to my show and singalong. Looking at listings for my local venue, I'll regularly spend the preceding days / week listening to who's coming to play before I go and see them live.
I'm aware my views differ from some, but we're in an age where you can pirate an album in 30 seconds. Those that are going to steal it, will. Similarly, those that want to pay, will. Until you have enough loyal fans/generic TV/radio coverage to buy your single on iTunes, why not just let them hear it wherever and ask them to donate or buy a t-shirt or vinyl?
Answering the question as to why Spotify isn't paying artists - the system may not be perfect at the minute, but it's certainly pushing the boundaries much better (and more legally) than anything previously. Which is a great, great thing, IMO.