Sometimes these posters are locally famous in their online communities, but in other cases they are overlooked even on their home turf. Perhaps in hundreds of years some of this stuff will be dug up and celebrated, either by humans or AI.
The same thing definitely happens with software too. There are some masterpieces of engineering out there with 15 stars on Github.
The visualizations and explanations are genuinely highly valuable for people studying mathematics (e.g. his "Essence of Linear Algebra" series [0]). The barrier to creating similar work is also high, due to the amount of time and expertise to create each video.
They also have an artistic quality and a sense of polish that gives the impression that the videos will stand the test of time.
[0] https://www.youtube.com/playlist?list=PLZHQObOWTQDPD3MizzM2x...
And then, of course, Harry Potter and Methods of Rationality.
I'd be careful. People get banned for merely mentioning that guy.
I'm a little lost about what that has to do with discrimination by publishers against writers by perceived gender? Does that somehow disrupt 'breeding'?
No. It's has to be more than that. Otherwise, every formulaic romance novel would qualify as great literature. Great literature has to have it all, but most importantly, it has to advance language/thought/culture. It's what separates the bible, shakespeare's works, etc from dostoevksy. Dostoevksy's works are entertaining. But they certainly aren't great.
You can't just dismiss Dostoevsky like that. Can you elaborate why his works don't qualify as great literature?
> No. It's has to be more than that
But, it’s not. Great literature, great music, and great art connects at an emotional level, which doesn’t involve logic, reason, or thought. Most of what we consider great art has this quality and it does it effortlessly and without trying.
A formulaic romance novel isn’t great because it’s gratuitous, sentimental, cliche, and panders to our emotional wants and needs; great art meets us where we are now in life, and doesn’t try to pressure or influence us towards one side or another. That’s the difference.
It’s like being surprised or frightened. You have no control over your reaction because it’s hitting you at the fundamental core of your humanity. It’s a feeling, an experience, and ultimately an emotional response on a very primitive level of cognition.
For me, it’s like Picard pulling out his flute and playing the song of his people at the end of "The Inner Light". This isn’t an exercise in thinking, it’s all about feeling. And that’s why that episode is widely considered the greatest.
The comment you're replying to is not discrediting that. They are just saying that it needs to be more than *just* creating an emotional connection.
Specifically, the OP is saying that great art "has to advance language/thought/culture" in addition to having an emotional connection. The problem is that this is very much a rear-view mirror perspective.
Great art doesn’t have to do much of anything except connect the audience with the human experience and condition. And that’s fundamentally an emotional connection.
Advancing language, art, and culture is a meta-perspective about the significance of an artwork that comes much later. It is not a requirement of great art.
Great art is timeless because it connects us emotionally to the human condition—an unchanging experience through the centuries that reaches out beyond time and place.
And yet, while it is certainly true that some great art does "advance" aspects of our culture—Shakespeare is widely known to have contributed an enormous amount to the English language, for example—the greatness of Shakespeare doesn’t rest on this laurel, but rather its unchanging, persistent, emotional connection to the human condition across time.
In other words, great art taps into the timeless, eternal space of our shared lives that is always true, and that reaches out and touches upon everyone, everywhere, in every time. It is this universal appeal that makes it great.
The fact is, the human experience hasn’t really changed that much in the last 10,000 years, and great art taps into this unchanging set of idealized forms.
But analyzing art is a rear-view mirror perspective. History judges what is great art. Not the present audience.
You ramble about the same thing over and over again - human condition. Sure. That's a part of it. Silly pop music, formulaic romance novels, etc all have that. But what separates actual great art from entertaining art is it's affect on language/culture/thought/etc.
Whether marvel movies will be considered great art has nothing to do with "human condition" or how it emotionally affected the audience today. It'll be judged in time by its affect on language/culture/thought/etc. Any silly drone can create art that touches on the human condition. That's the easy part.
Shakespeare's hamlet, romeo and juliet, etc aren't considered great art because it "moves" you.
> and great art taps into this unchanging set of idealized forms.
No. Practically every art does.
Enough HN for today. It’s just insufferable nonsense far too often these days. I resisted responding to the other guy in this thread that called Freud and Jung quacks but wants to read 10 million 2000 year old Sanskrit meditation texts for insights.
Isn't part of enlightenment a sense of the imperative to share? How can you be enlightened without compassion, and thus the motivation to enlighten others?
Only the absolute rarest of masterpieces can rise above the noise just based on the brilliance of the work itself. And even then, there’s a pretty good chance someone better at marketing will just copy it and receive all the credit.
I know quite a few. One was a chess prodigy who never advanced past the fourth grade. He taught himself several trades, became an accomplished musician, but lives completely off the grid and avoids any kind of contact with official entities for various reasons. Although he’s generally considered uneducated, there’s this strange spark of wisdom behind his eyes when you talk with him. Makes you wonder how many people there are like this, toiling away as nobodies, barely visible in society.
PS: it's spelled "Kaczynski"
The book was first published in 1965, but failed to gain popularity. It took until 2013 to gain wide popularity, and is a contender as one of the greatest American novels.
Coverage about the book's resurgence was published in The New Yorker (paywalled at https://www.newyorker.com/books/page-turner/the-greatest-ame...) and The Guardian (no paywall, via https://www.theguardian.com/books/2013/dec/13/stoner-john-wi...).
I found the novel's revival interesting. For a negative view, I think that Elaine Showalter mostly plays fair in https://www.washingtonpost.com/entertainment/books/classic-s... .