I just want to listen to the music and feel it; I don't want to understand it. And that's what makes it so great.
"If you can feel what I'm feeling then it's a musical masterpiece." [1]
I just want to listen to the music and feel it; I don't want to understand it. And that's what makes it so great.
"If you can feel what I'm feeling then it's a musical masterpiece." [1]
https://music-cms.ucsd.edu/people/faculty/emeritus_faculty/c...
i can find myself listening to a part of song or a tone over and over again until i can tell what's going on and reproduce it
i'll go as far as downloading original stems on pirate sites just so i could hear each track isolated
this is a bit like when i was a kid i used to play with Dev Tools in the browser
I had no idea this was a thing! Can you find most music like this or is it a select few?
most of the time though, you won't be able to obtain them legally
the reason i need them is so i can use a certain sound as reference to recreate it on a synthesiser
that's an unusual way to spend your time i guess...
you can just watch Rick Beato's series "What Makes This Song Great" on YouTube where he explains each part for you
https://www.youtube.com/playlist?list=PLW0NGgv1qnfzb1klL6Vw9...
fun fact: once you hear all the hidden sounds in a song you can't unhear them
To be honest I don't think you'll get as much out of theory if you don't personally write songs. Despite what so many people say about music theory (they say "it explains music, it's not a set of rules to follow"), music theory is a fantastic tool to help write songs, kind of like how perspective is a fantastic tool for drawing pictures. Not a tool anyone is forcing you to use, but a tool nonetheless.
I'm no expert, but I've dissected a few songs. There are some songs that you might think, "Oh, damn, that's cool!" So you transcribe it or get a transcription or even just a chord chart, try to figure out what you liked about it or explain what you heard. And then, down the line, when you're writing a song, you might try to use one of these devices you found in a song you analyzed. At some point, the things that you hear in your favorite songs become a part of your repertoire for making your own songs, something you can build upon, and analysis is not strictly necessary but it sure as hell facilitates things.
but i think understanding how the song is made will makes you appreciate the song on a much much deeper level than just hearing and forgetting it
dissecting the songs like Rick Beato does, shows you how the work is made down to every note
Rick feeds my curiosity and explains how things are done in a way even a baby can understand
I don’t have much music knowledge, but I’d imagine the same is true for music as well.
What I do suspect will happen is that a lot of music you currently enjoy, because it’s played in our environments all the time, or is popular, will start sounding terrible once you start realizing how uninteresting and/or derivative many of the popular songs are.
for me it was these pop songs you hear on the radio
i used to hate them universally, but once i've started listening more to the tone/melody rather that just the song i found myself hooked
all these great pop songs, and i mean all of them are made by a group of people around the Swedish producer Max Martin
Taylor Swift, The Weeknd, Ariana Grande, Britney Spears, the list goes on and nobody even knows the man behind the show (which i find quite fascinating)
Rick Beato has a video on him: https://www.youtube.com/watch?v=cBDJDZAo41c
Completely disagree with you on this.