Site is reminiscent of https://hackerscurator.com/ which is also a bunch of people who haven't quite let go of Hackers (Not that it's a bad thing!)
Related link I found, re. Cybercafe BBS which was important: https://hansonaniboon.wordpress.com/2018/03/31/semiotext-and...
And from there: http://www.irational.org/cybercafe/xrel.html
Rafael Moreau is the son of an architect and a painter, nephew to a CIA asset, rodeo rider, and film student under none other than David Mamet. He actually came under FBI surveillance after writing the script for Hackers.
There were production groups in the US and the UK. One of the location unit directors had worked on Hair, Desperately Seeking Susan, and Ragtime. There were multiple consultants including Goldstein, Mitnick, Dave Buchwald (who is also an art photographer), and the one credited as "hacking consultant" is Omar Wasow, PhD in African American Studies from Harvard.
The graphics portrayed in the film and the representation of the mainframe are meant to be unrealistic and represent the characters' thoughts and feelings about the data and events, not to be examples of real-life things. People often pick at that part of the movie after accepting the intro with the circuit board city, the spinning phone booths when the phone are clearly in a bank along one wall, and a lot of other inconsistencies with real life.
The whole vision for the movie from Moreau and Softley was a highly stylized, visually interesting version of the subculture. Softley added the rollerblading specifically so the movie would have more motion and a little less sitting at terminals. I don't think we can expect it to be anything other than an artistic representation of eclectic, bright styles.