I can consciously imagine things (and people and places) that I'm not seeing right now. I'm not super-great at it, but I can certainly do it. I can also easily and reliably recognize individual people.
But the idea of describing any individual detail of people's appearance even while looking at them (let alone from memory) seems extraordinarily difficult for me, and has since childhood. My stepmother was an artist and would sometimes try to question me about this, suggesting that I could learn to do it but hadn't.
I think I agree with other comments in this thread that conscious awareness of visual details in a scene is a separate skill from any form of recognition or recall -- especially, or most dramatically, for faces, but really for any visual percept as well. Maybe for any sensory perception: for example, I could imagine someone who can recognize individual voices, or musical instruments in a performance in which several different instruments are present, but who can't describe what makes one different from another (perhaps not even at the level of which instrument or voice has a higher-pitched fundamental tone than another's?).
I think I rely a ton on my visual system's chunking and abstraction and usually have little to no conscious awareness of any individual visual detail (especially for faces, but really for anything), unless I make some active effort to bring visual details to consciousness. I remember telling a friend in high school that I usually experienced visual scenes in a kind of wireframe summary by default (although this is just a metaphor, since I don't mean to deny that I noticed colors or textures), which she also found surprising and unfamiliar.
Edit: Like another commenter in this thread, my stepmother often recommended Drawing on the Right Side of the Brain to me, so maybe I should work through it and try to develop my ability to notice visual features without interpreting them. :-)
I think this is why I'm what is described as a "power gamer". When I play video games I'm always looking for optimal strategies, the most powerful combinations of items and skills, etc. While I definitely can at times enjoy the scenery and graphical beauty of video games, I often feel as if I'm "staring through" the game as presented right into the game as actuality when playing, hardly processing the graphics at all past being some kind of representation of the game itself.
I can really relate to this. Thnx.
But it can also be trained. See, e.g., Drawing on the Right Side of the Brain by Betty Edwards.
Draw a nose, was the bridge wider or thiner? With a lot of experience they seem to be able to get the "right" details close-enough that it can identify say, a large handful of people for whom those that might report them can feel more confident in say, calling the FBI before reporting their uncle.
This casts a wider net than say, directly identifying them, but it helps isolate the possible suspects well enough to be worth doing when you've got nothing else.
I mean, they've got 2 eyes, a nose, lips, that's the best I could do :D
In my mind, it's similar to musicians training solfege or chemists training in verbally classifying a smell: it aids both their understanding and their skill. It absolutely blew my mind to have a perfumist friend of mine describe smells to me as we were walking through the city. I'd never have guessed the depth and complexity of olfactory sensations that us humans are capable of with the right training.
The primary problem with this label is that this could include some people who see involuntary imagery (like people), but don't do what is essentially creative visualization. For those people, they "know" the experience of seeing things in mind.
Then there are the rest of us "aphants" that don't ever see images internally, at all. For the people I've found with this ability I would say none of them could hear things internally either. Not everyone has the ability to "rehear" things.
I spent a lot of years asking people about how they saw things internally and it just got weirder the more I asked. Eventually, I just decided that everyone thinks differently, with various "side models" that allow them to see, hear, think and even smell things that aren't real.
What about remembering things that you have already seen? Let's say I ask you to watch, for example, the Star Trek TNG opening sequence. Can you "rewatch" it?
I can. I can also sort of picture 'creative' images, to an extent.
However, conjuring up faces of people I've met is pretty difficult. Even my dog, which I find easier than people, can still take different shapes that are not real and I can't 'fix' it until I look at her again. If it is a person that I've only seldom met, I won't be able to recall the face at all, even if I can still recognize the person. It doesn't matter that I met the person a minute ago - if I don't make a very conscious effort to remember, I probably won't recognize them at all (and will definitely not recall the image). If I am under stress, that's even worse.
I've always chalked that up to 'being bad with faces', but there maybe something more at play, it seems.
For example, I cannot visualize the apple I have in my hand, even if I consciously study it for a few minutes and note out the shape and colouration before closing my eyes. However, I can visualize "an apple", I even get a choice between clipart version or realistic stock photo version of a red delicious or an granny smith. I cannot conjure up the faces of people I know, or even my own face, but I can bring up "young adult asian male" "elderly white female" etc.
When I looked up aphantasia, one of the test was "can you visualize waves hitting the beach" and I was wondering if the Toei logo because I can rewatch that anytime I want, but I can't visualize a generic beach with waves.
Anything "built up" from a mental concept, and seen as an image, would be exactly what I don't do.
While falling asleep I'm able to have hypnagogic visualizations. I do dream (but can't re-see the dreams) and psychedelics haven't produced anything much in the way of imagery. Maybe sounds and some slight alteration of the model, like movement or some slight color enhancement.
Or if shown two noses with different width bridges, can you point to the one that is closer to being right?
Police sketch artist scenes in movies and TV shows are incredibly abbreviated compared to reality, which often features a lot more iteration and discarded sketches precisely because a lot of people are in the "I'll know it when I see it" group.