They didn't have transistor mixing consoles until Abbey Road. Geoff Emerick, their best engineer, is on record in his autobiography that they lost a lot of energy and power in that transition, and had to work like hell to make the band still sound good when it sounded that much smaller and weaker than it did back in the days of Pepper and Revolver and the White Album.
I have measured these albums off the original vinyl and know the dynamic energy permitted to that format was substantially greater than anything you get in the 'un-muffled' modern day. You had to turn the record up to get the fullest sound as it was not limited and heavily equalized to compensate for idle, inattentive listening. In particular, peak energy could be 18 dB or more, over the loudest RMS output the records could produce.
They also cut a 15k tone on literally this record, Sgt. Pepper's, so dogs could enjoy the music too. And it worked (as did the later quadraphonic records done using carrier tones of 30 to 50k)
I'm gonna suggest the fault is not in the original record…