[0] https://arcdigital.media/self-censorship-in-the-academy-5241...
[0] https://arcdigital.media/self-censorship-in-the-academy-5241...
I think what a lot of the commenters are missing is that this article, and statements like "If I must revise my teaching to conform to a popular view of inclusivity that I do not share" have an impact on not just his research, but also sends a message to his students: that he doesn't whether they feel safe being there matters, and that they don't deserve to have representation in studied works.
I know a lot of people (mostly white, mostly men) don't think that's true, but these types of attitudes can easily allow harmful messages to fester in academic classrooms. Just because an idea is controversial doesn't mean it's worthy of debate. The idea that we should want more students to feel welcome in academia, and that we should study history and literature that has largely been ignored (or often, deliberately destroyed) is one such idea to many people.
So I know most of the people on this forum will disagree, but I think it's perfectly reasonable for an organization to say that they don't want their name associated with that.
The position in that article isn't a new or particularly interesting idea: it's been rehashed over and over, and studied, and it's an idea that many people have decided is harmful and they don't want to associate with it or people who continue to spread those ideas.
I probably don't have the eloquence to properly convey these thoughts, but there's a whole field out there that cares deeply about these things and has been working on making them better for, literally, centuries. In tech I often see people frustrated that the public doesn't understand what they're talking about when they discuss technologies (see the 5G conspiracy theories!). If you're interested in understanding why many people think doubling down on these ideas that inclusivity is in contradiction to good research/teaching/whatever, there's a whole field of literature out there to read up on that can help explain that. If you're in the US, one decent starting place is the history of black people in the US, and the history of women in the US. I've heard really good things about this series, for example: http://www.sceneonradio.org/seeing-white/
> 88 percent of students agreed or strongly agreed with the statement that “the climate on my campus prevents students/faculty from saying things they believe because others might find them offensive.” Sixty-three percent of faculty agreed or strongly agreed with the same statement.
No, it's not mostly white men, 88% is a figure large enough that it necessarily includes large swathes of other demographics.
Say someone who is very much in favor of legal abortion stays silent as one of their co-workers goes on about how abortion should be banned, for fear of offending said co-worker. Is the fact that this person held back from sharing their beliefs an example of inclusivity? I'd say that this is not only false, it is the opposite of what is true. The fact that this person self-censored out of fear of causing offense is evidence of an environment intolerant of pro-choice people.
Inclusivity is a worthwhile goal. That is why such extensive self-censoring beliefs is a prominent concern, it's strong evidence that we are not being inclusive of people of different beliefs.
You're making a jump there: from whether Kunin's class covers works from authors with certain demographics, to whether his students feel safe. The character sequence "saf" doesn't appear in either of Kunin's articles. I think if it had been conveyed to him that his students' feeling of safety depends on his choice of curriculum, then he would have mentioned this argument (he'd probably call it absurd but I expect he'd mention it). His impression was: "That way, students from underrepresented minority communities will see themselves reflected in the readings. The students will feel included, and empowered to succeed, when they read works by writers who look like them."
Do you think it's really true that a significant number of students were feeling unsafe as a result of curriculum choices, and if so, why hadn't Kunin heard of it?
To my understanding (and as a disclaimer, I advocate strongly for it), "inclusivity" in general means making an environment safe for people of marginalized backgrounds. So to me, his declaration that inclusivity as a value ought to be up for debate seems to indicate he doesn't think it's a top priority that students of marginalized backgrounds feel welcome in his classroom.
Is that a jump? A bit, but it's based on seeing similar situations play out in other areas.
But the choice of curriculum was to my second point: I think students deserve the chance to study a wide variety of history and literary viewpoints, including when feasible some from backgrounds similar to theirs. There has been tons of literature written by black authors, written by women, written by LGBTQ folx. Often times those works have been, in the past, deliberately destroyed (like the Institut für Sexualwissenschaft) or not considered for publication (George Elliot choosing a pseudonym to publish outside romance), which is a significant component to why there are so many more white men authors historically.
If you teach a course where all the literature you choose is from white men, you really limit what history you are teaching, and you can subtly reinforce that others may not be welcome to succeed in literature. Inclusivity asks us to consider those implications and pick some variety of authors--there are many great writers of so many different backgrounds to choose from.
I take it you aren’t saying that students believe that an assailant will be hiding in the classroom with a bat ready to assault them as the enter the classroom.
Rather I take you and others to be using safe to mean something like comfortable. But unsafe and uncomfortable are two different words. There’s rarely or never good cause to make someone feel unsafe, but sometimes being uncomfortable can lead to growth. Or at least people used to believe so.
I'm a visible minority, and my rights are frequently a part of political debate. In spaces where those debates are allowed to happen, it's often not safe for me to participate. It's a hard feeling to describe or put into words for someone who hasn't experienced others saying that they shouldn't be allowed to do participate in some aspects of society because of a characteristic they can't change.
Well. What happened when Kunin took a risk and published an essay asking some questions and offering what he thought was a new idea? He faced verbal bullying and was punished. Is the point to give psychological safety to minority students but not bother about other people? (In fact, I suspect many of the minority students who happen to agree with Kunin would not feel psychologically safe saying so.)
At this point the classic rejoinder would be to say "look at these suffering minorities; your argument is invalid" or to talk about Kunin's privilege, but you seem to make better arguments than that.
Well, Kunin says: "My sense is that students and faculty are unsure of the meaning of inclusive teaching. To the extent that we feel any certainty, we do not agree with one another." I don't think he ever says that he thinks inclusivity, the way he interprets it, is a bad thing or isn't worthwhile.
Is that a distinction without a difference? Suppose, for illustration, that I declare that "inclusivity" means everyone has to sit in a circle for the whole class, because otherwise some people won't be seen by others and therefore won't be properly included in the classroom experience. Kunin protests that this would make it impossible for him to write on a chalkboard or project an image onto a screen. I tell everyone that this means Kunin opposes inclusivity, and the minority students start to feel unsafe. Is this Kunin's fault, or mine? Is the solution for Kunin to buckle up, or for me to stop scaring the students?
If you think that's a silly idea, consider this: "Last year when I proposed to teach a seminar in which the syllabus would include essays by Ralph Ellison, two of my colleagues wrote to the Curriculum Committee, as well as to the dean and the president of the college, objecting that it would be “literary blackface” for me to study Ellison." (The more general term "cultural appropriation" could be used if Ellison were a non-black minority.) I wouldn't be surprised if someone had actually proposed sitting in a circle.
Is there some source of truth, that all responsible people should obviously recognize as the source of truth, about what is the ideal "inclusivity"? If it were a serious attempt at "making an environment safe for people of marginalized backgrounds", then one thing I would expect to see is for these recommendations to be backed by studies; is that usually the case?
Also, by the way, receiving a failing grade on a test is probably very distressing to many people (perhaps a majority), and failing a class even more so. Surely making students feel "safe", at this level, would imply eliminating the possibility of such distress and making sure the students knew it was gone?
That is some very serious gaslighting.
To suggest that somehow students would be 'unsafe' around writers such as him or his works, is a toxic form of rhetoric.
That term - 'unsafe' - used in in an intellectual context such as it is is anti-intellectual and oppressive.
There is no 'harm' in his words.
Even if the publication felt it wasn't exactly perfect - they could have published it anyhow at very least on the basis of erring in the side of expression.
Then people cold read it, make up their own minds, disagree, not care, whatever. We're adults, we can do that, that's the point.
And FYI nobody is arguing that any real, material history should not be taught.
This is in the context of his literature courses. There are so many literary authors that aren't white men, that arguing that he should have the right to decide to only teach works from white men (if he deems them to be the best works), does seem to me like arguing that we shouldn't teach the history of marginalized people.
If you only mean non-literary history, the history of black people and LGBTQ people are both very under-taught in United States schools. That's a real thing that some people do want to continue, and argue for. (But this seems a bit outside the topic at hand)
No, it does not remotely seem like arguing that we shouldn't teach the history of marginalized people. How do you go from "I should be able to decide to only teach works from white men" to "other people shouldn't teach anyone other than white men"? To go from "I should be allowed to _____" to "nobody should do anything except ______" is a massive leap.
A course in classics is going to have overwhelmingly male authors, likely exclusively so. The reality of the ancient Mediterranean was that patriarchy was extensive, and women were not afforded the opportunity to contribute in that space. This is in now way saying that other courses in other fields should feature women or minority authors.
I mean, if you were teaching physics, you wouldn't teach ideas based on what race or nationality the person was who came up with the idea. I know, literature is different - it's more subjective, it's not empirically verifiable to determine the quality. Still, the desire to pick the best books based on the content of the books rather than the race of the author does not seem to me to be that horrible of an idea.
"I have a dream that one day my children will be judged not by the color of their skin, but by the content of their character." And let books be judged not by the color of their author's skin, but by their content.
Not of necessity; there are plenty of known women writers of the period (it's hard to imagine a broad survey excluding Sappho, but she's far from the only example.)
> The reality of the ancient Mediterranean was that patriarchy was extensive.
Perhaps, but also much less so than in the exclusively male, until very recently, academic society which did so much to shape the lens through which we see the classics.
I'm sure Kunin would have been very happy for them to burn their project down for his sake. Kunin's sake is not the only one at play here.
As for the larger case of "blacklisting", as Kunin describes it, the moral case is that amplification is bad, that by appearing onstage with a villain, you dignify his villainy by taking it seriously, when it should be rejected out of hand; you provide a platform for odious ideas that, even met with a superior response, get more airtime and borrowed legitimacy than they would otherwise.
You can certainly disagree that avoiding amplification justifies cancel culture, but acting like there isn't a moral case for not getting onstage with someone you don't want to amplify, begs the question.
Kunin opposed the idea of blacklisting in general, he didn't even endorse any person.
So now, for those who refuse to be published in the same magazine as him, the chain goes "unspecified other" -> Kunin didn't disavow -> they can't publish anything where Kunin might also publish? There's not even a specific idea they're condemning besides general open-mindedness.
What about if the magazine had allowed him to publish, and you had been in there as well? Would you deserve censure as the third link? After all, you shared a stage with someone, and god only knows how many stages they've shared with how many people.
Kunin's target is really the other contributors who effectively strongarmed the editors into ejecting him, and he later in his essay falls back on the old chestnut that the best response to terrible speech is better speech--an idea that the amplification argument is explicitly trying to reject.
So what's really being discussed here is whether the other contributors leaving is justified, and I think that this is the best form of freedom of expression. It's the most powerful form of expression to walk away from someone uttering something you find terrible to express. And when they sputter that you should engage them to demonstrate your own superiority of thinking, that's just demanding you amplify them as the price of showing off yourself. Sometimes, the better response is really to just walk away. This is the marketplace of ideas at its most effective.
If you're one million percent sure that you're right about everything, that's justifiable. You're maximizing inclusivity. But if you're not?
Well, first, “blacklisting” for an exclusionary practice is a poorly chosen term for an act by a single actor and not a coordinated action across a group of theoretically competing actors.
Second, are you looking for a defense of the act within Chicago Review’s “editorial and political agenda” (which is difficult for any outside actor since they haven't specified what it is) or are you looking for a debate on that agenda (again, difficult for any outside actor for the same reason) or an argument for why a similarly situated might be justified on the basis of some set of goals which may not be Chicago Review’s agenda or for defense of a set of goals which might justify it that may not be Chicago Review’s agenda?
Because the last two seem like a pure waste of time while the first two seem like a waste of time if you aren't specifically asking the Chicago Review editorial staff.
Also, let's not be coy -- it's pretty obvious what their agenda is. At the very least you and I both know. I've seen you round these parts before, partner.