This is what John Carmack did with the game engines he wrote at id software, and the id lawyers hated it (but it was a great boon to the rest of the world)
This is what John Carmack did with the game engines he wrote at id software, and the id lawyers hated it (but it was a great boon to the rest of the world)
The Doom source code was released two years after Quake was released and 6 years after Doom was released. There was no opensource business plan.
It is also worth noting that commercial releases of DOOM continued through 1997 on various home consoles even if you ignore the various resurrections it has had for the likes of the GBA or Switch.
Edit: I think I get your timeline, you're referring to the re-release of the DOOM source under GPL in October of 1999.
The vast majority of the back catalog of movies, music, and TV is nearly worthless to studios and labels, and when you dig into it you actually find out that studios are as cheap as possible with their archive of masters (perhaps with the exception of consistently profitable blockbusters). I recall reading an in depth article about a recent vault fire that destroyed many original studio recordings, and that the issues leading up to the disaster were preventable.
I think the studios are too short-sighted to see the value of releasing many of these into the public domain, and I think some creativity could turn it into a business model that drums up interest and revenue.
Here’s an idea: a studio or record label could run a “Kickstarter” where sales of a commemorative collection could hit a certain threshold to trigger release into the public domain. These could be mainly made up of content that has otherwise fallen into relative obscurity.
I mean, I’m no business expert and maybe that’s a dumb idea but it’s at least new and unique.
Follow up from this year: https://centralsauce.com/lost-in-the-fire
A previous notable fire: https://en.wikipedia.org/wiki/1937_Fox_vault_fire
I think the problem with vaults and vault fires is that the original - the master recording - is analog and irreplaceable by definition. All copies theoretically don't encode valuable data still left in the master that might be useful in the future as remastering technologies continue to improve. It's not a digital master where every copy is identical in fidelity. Until we can accurately clone physical objects, there can only be one master copy of an analog recording.
Some way that if you start using a product you have a legal guarantee that you won't be dependent on that company's service indefinitely.
With software I feel like a much shorter timespan would be better as systems become obsolete much faster.
It is a closed source business model that decides to open source legacy product. It worked so well that the open sourcing stopped when Id was acquired by ZeniMax.
Maybe applications can open their libraries, but not the apps themselves?