I think it was exactly this idea that made the book fail in my eyes. Cryonics is patently
not similar to religion in the sense of being comforted by myth or iconography and stories about waking up in a better place. Representing wealthy cryonics customers as if they were borderline cult members is more like surrealism than drama.
People who actually put money on cryonics overwhelmingly believe it’s got a super low chance of working and that the world you might wake up in is just as likely to have endemic social problems and suffering as our current world, or possibly even be far worse in a lot of unsettling ways. People who care about cryonics spend time obsessing over crazy philosophy of mind, AI ethics, and far future forecasting ideas. They don’t go into it lightly with some fluffy ideas of waking up in a peaceful utopia.
As a result, the characters in Zero K just don’t work. Their mix of naïveté but hyper progressive awareness of scientific possibility, while also being wealthy titans of industry for decades, simply doesn’t exist inside the same person at once unless the characters are just purely vehicles for allegory and symbolism, which is hardly what has made DeLillo’s other works notable.