Generative music has been around for half a century, or longer depending on how you want to interpret things. Mimicry as a mechanism for composition has been around for as long as humans have made music.
It is wholly uninteresting to discover that we can design generative systems for music that excel at mimicry, because we've already perfected that mechanism in analog. The interesting bit is that the genesis of new musical ideas is driven by manual interaction and direction of the generative system, and at that point it's the guiding hand of the engineer turned artist that we can respect and appreciate, not the mimicry of a machine.