Since then I've come to see the answer "it ends somewhere" as completely void of any value or meaning, and mostly just a justification for mindless erasure. It's not a smart zinger, it's empty.
Since then I've come to see the answer "it ends somewhere" as completely void of any value or meaning, and mostly just a justification for mindless erasure. It's not a smart zinger, it's empty.
This is the gist of democracy. You don't get bonus points for historical relevance. You may not agree with the angry mobs of protestors, but the same change is happening in formal government, albeit slower.
You could say then that these specific idols are not good idols because of the realities of their actions in the past. But there are other perspectives [0] that should be considered before taking that as a foregone conclusion - a conclusion mostly adopted from peers and not study.
The AHA has specifically put out a statement[0] about monuments. The prime quote:
> To remove a monument, or to change the name of a school or street, is not to erase history, but rather to alter or call attention to a previous interpretation of history.
Thucydides, arguably the very first historian ever, criticized statues and monuments as poor representations of history. It is important to understand the difference between history and historical memory. Monuments are not pedagogy tools. Actual professional historians do not see them as relevant for teaching us about the people they represent.
[0] https://www.historians.org/news-and-advocacy/aha-advocacy/ah...
I think that framing minimizes the extent to which we can and do choose how we portray history in order to choose how we see ourselves.
Part of doing this well is being able to isolate properly, identifying what made historical figures exceptional, and being able to forgive sins which are considered sinful now, but were common behavior in the past. If you can't do that, you can't preserve people as symbols of principles at all, because the morality of the moment is not guaranteed to be held forever.
https://www.washingtonpost.com/outlook/2020/06/19/destroying...
It feels tired to still be repeating this when so many others have said it, but Germany is capable of learning about Hitler and Nazism without the monuments glorifying it; Americans can learn about Robert E. Lee without the whitewashed monuments everywhere. And anyway, there was none of this clutching of pearls about history-erasure when the Saddam Hussein statue was toppled in Baghdad in 2003.
https://www.wcvb.com/article/boston-art-commission-unanimous...
As far as the others, clearly there is an Overton shift happening here, and that will embolden some advocates to make more extreme demands. Is that bad? Probably not, but I think most statues of Washington are likely safe for at least another generation or two, and if they get moved from the public square into museums at that later point, well, that's something the future will have decided on.
You mean the ones where he's shown as west-european white? I suppose we could bother thinking about why he looks like that in those portrayals when he definitely wouldn't have in real life.
I remember some years ago about a situation regarding a movie. I forget the exact details, but it was something like a Filipino movie about an American disaster, like 9/11. The movie was based on a historically inaccurate story of a Filipino man or family involved in the circumstances, when in reality there had been none. I don't know whether or not the Filipino person was a replacement for a white person's real story.
But as someone much closer to the original circumstances, my perspective is not that I or my community's history has been replaced or been removed due to "racism." It is rather very touching that this foreign community felt close enough and impacted enough by the story to envision themselves inside it, taking part in it. To me, it was an expression of closeness and understanding, not appropriation or racism.
Plus it seems strange to me that in a story where people walk on water and talk to burning bushes and kill gays, that the most offensive or historically inaccurate thing is that some people have envisioned the main character as being similar to them.
I agree! And then they proceeded to spread that image throughout the world (commonly via imperial colonialism) as "god looks like me, not you". That closely aligns with the concept of systemic racism.
> Plus it seems strange to me that ...the most offensive or historically inaccurate thing is...
"Most" is a strawman. We don't need to start assigning gold/silver/bronze medals to badness in order to recognize that it's bad and work to change it.
You skipped the meat of my comment, which is about closeness and understanding.
Thomas Sowell, a black man, had some interesting historical perspectives on these figures in Black Rednecks and White Liberals, which is worth a read. This is just a small excerpt from a google search, and in itself can't directly address everything people are trying to erase, but it's a starter for listening to more and broadening your perspective:
https://www.aei.org/*/thomas-sowell-on-slavery-and-this-fact...
I would imagine that it's possible in some circumstances for this to be true for some, mostly confederate figures. I'm really skeptical that that's true for figures like Washington, Jefferson, and Lincoln.
The weird-power-dynamic-Lincoln statue with the freed black man aside, I generally agree on statutes of the founding fathers. I doubt a statue of Washington was erected in honor of his support for slavery.
In the greater context of what is happening in America right now, tearing down statues of Washington isn't necessarily about Washington himself. Instead, it is about challenging the idea that our historical figures (and America itself) are infallible.
If I may paint a picture, put yourself in the shoes of a black man in America in 2020. You see thousands of videos of police brutality, blatant racism, and disregard from those in power. A significant portion of the representatives in this country refuse to outright state that racism is still a problem in this country, but you see it with your very eyes every day.
However, you see these statues symbolizing this "ideal" version of America, where everyone is equal, which never actually existed. Further, when people challenge the existence of these statues (and by proxy, that non-existent "ideal") in the face of all of this inequity, they are defended orders of magnitude more intensely than the rights of actual-flesh-and-blood people. It's hard to look at a statue of General Lee, or even Washington, and see anything but a symbol of the fact that America at large cares more about the "appearance" of equality and equity than actually granting it to the people. If the people who defending these statues so vigorously also defended the civil rights of their fellow Americans with the same energy, I don't think we would see as much of a struggle over this.
As for blacks in America today, it's complicated to discuss and I'm not sure I have the wherewithal to go down all the paths. I think to some degree your picture is based on the news and what is visible, rather than what we know people actually think. Does BLM/the mob speak for all blacks? Are there any who dissent, on either the history, today's context, the solutions, or all three? Yes, definitely. And if opinions vary, should we not attempt to understand whether or not there is a right or wrong, and proceed according to rightness? If it is not about right or wrong, but the perception of offense, what does that mean? If a symbol stands for something good, and one person out of a million falsely perceives it to be a hate symbol, is that sufficient for a teardown? What if it were 10% or 50%? Is it just a matter of threshold? Do we even know the percentages today for what's happening before we let the mob do its thing?
I think a lot of people are smart enough to know that there is a difference between representing "an ideal version of America," and specific ideals that individuals represented. Washington for example largely representing the fight for independence; Roosevelt standing for social justice; Lincoln for freedom and equality - not American utopia.
When considering people as symbols it is important to isolate what they did that made them stand out from their time, from their common beliefs or actions that were the same as everyone else. Without doing that, we expose symbols to the injustice of being judged by modern moral standards, and sacrifice the good that we isolated. Like it or not, the acceptance of slavery was not exceptional in Washington's time. The ability and bravery to lead a revolution certainly were exceptional. The exceptional is what we isolate and create a symbol from.
It is of course possible to have been exceptionally cruel within the time of American slavery, which would be a reason to not symbolize someone. But that isn't the case for these figures and in fact Washington eventually came to flip his perspective on slavery in his lifetime.
The morality of the past is fixed and the morality of the future is in perpetual development, meaning that if we continue to take the same approach that's happening now, all symbols will eventually be lost in time, because with an unbound future we will likely run the gamut of what is considered right and what is considered wrong in any given "now." By keeping this up, we deprive ourselves of a story and a guideline of history to help us project our own future. We sacrifice timeless positive principles to shifting moral discoveries. We leave our children with less guidance.
Can't put in any more - you get the last word!
There are mainstream politicians and political commentators who explicitly say that racism used to be a big problem in the United States but that it simply does not exist any more. I suspect it's a very common belief.
Five seconds of googling yielded several results from when this was last discussed in a major way, in 2017:
NPR piece includes a chart of dates for confederacy iconography: https://www.npr.org/2017/08/20/544266880/confederate-statues...
HuffPo piece says it was never about "history and culture": https://www.huffpost.com/entry/confederate-monuments-history...
Vox talks a bit about the process:
"But the story of the monuments is even stranger than many people realize. Few if any of the monuments went through any of the approval procedures that we now commonly apply to public art. Typically, groups like the United Daughters of the Confederacy (UDC), which claimed to represent local community sentiment (whether they did or did not), funded, erected, and dedicated the monuments. As a consequence, contemporaries, especially African Americans, who objected to the erection of monuments had no realistic opportunity to voice their opposition."
See: https://www.vox.com/the-big-idea/2017/8/18/16165160/confeder...
And then some newer pieces:
https://www.history.com/news/how-the-u-s-got-so-many-confede...
https://www.wral.com/confederate-monuments-were-meant-to-int...
https://en.wikipedia.org/wiki/Modern_display_of_the_Confeder...