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Isn't the premise of every one of his books "scientists fuck it up, leading to exciting circumstances"?No, that's an inaccurate and uncharitable summarization of his literary career. Scientists fucking up covers some of his more popular works accurately, Jurassic Park more than the rest, but other stories have the scientists/doctors working hard to save lives, or otherwise behaving admirably. Sphere has the scientists accidentally acquire godlike powers, only to willingly relinquish those powers for the greater good.
In fact, in several of his novels, including Jurassic Park, I think there is stronger anti-corporate sentiment than there is anti-science sentiment. The book makes clear that the problems at Jurassic Park are caused by a corporation cutting corners to turn a profit on a complex system before pausing to understand what they were dealing with. In the novel, the park owner John Hammond is consumed by dinosaurs. For whatever reason the movie let him live, and otherwise tuned down the anti-corporate angle. In the book his idiocy and greed made him a villain, but the movie makes him seem like a cuddly victim. In the book the two heroes are paleontologists (scientists) who were not to blame for the disaster but nevertheless behaved heroically in their attempts to mitigate harm.
A similar theme is found in Airframe though, which covers the interactions between a crash site investigator trying to find a truth that's inconvienent to the airline (that the pilot was to blame.) It could have been about aircraft engineers or aerospace scientists fucking up... but it wasn't. Disclosure and Rising Sun are controversial for their own reasons, but both have prominent anti-corporate themes.
Then there are the novels that seem unrelated to the discussion at all, like Eaters of the Dead which was a retelling of Beowulf from the perspective of an Arab traveler from Baghdad.