We supplement streaming Netflix with our local library system, which has a fairly deep collection.
We supplement streaming Netflix with our local library system, which has a fairly deep collection.
Like it was already mentioned, this was about unfair business advantage, not about the actual copyright.
[1] https://help.pbs.org/support/solutions/articles/12000043556-...
https://bento.cdn.pbs.org/hostedbento-prod/filer_public/PBS_...
But since new content is shot in digital, and edited digitally, it's a minor step to convert for streaming and also broadcast so they just stick to that.
The content (and associated bandwidth demands) comes from those seeding the torrent.
Digitization costs are still an issue, of course. I wonder if they just have a tape archive or if there’s some internal effort to digitize everything already (maybe cheaper in the long run than storing a huge quantity of tape?)
If they aren't legally obliged to purchase "broadcasting right" from "members", they can always stop doing so.
If they ARE legally obliged (or forced by corporate mob, depending on your preferences) to engage in the rent-seeking, their budget founding should be permanently set to zero.
The whole industry makes no sense to me.
It makes no sense to be that Netflix doesn't own full, unrestricted rights to house of cards without paying anyone anything extra after the work is completed (residual).
WTF does public television think its doing with this strategy? Makes me want to pull funding.