Apparently those (jazz) guys called the 4ths voicings like in So What 'Ravel chords'. And the (Peace Piece-derived) Flamenco Sketches I can't help but think owes something to the first movement of Mahler's 9th, which even has the 'down a major 3rd' progression. (C -> Ab in F.S., D -> Bb in the Mahler)

..Speaking of which, I didn't learn until recently that James Brown stole the 'booo-dap' riff from So What for (maybe his greatest song), Cold Sweat. Apparently he wanted a song with horns going 'booo-dap' just like So What..it's even in the same key, almost the same voicing.