That's a very apt quote. The way I look at things like this is: Do recording studios go to the same lengths? After all, if the effect is real, and the studio didn't do something to mitigate it, then it's going to be on the track regardless of what you do in playback at home. Much more so, even, because of the gain stages involved when recording a microphone signal.

(Spoiler alert: Recording studios do not install their own power poles. What they do, though, is install isolated ground circuits.)