I'm very intrigued by this - what kind of metrics does one use to objectively rank Pixar films?
I'm very intrigued by this - what kind of metrics does one use to objectively rank Pixar films?
Also, somewhat ironically, I disagree that Cars (Metacritic: 73) is one of Pixar's worst, on the grounds that there are quite a few worse movies from Pixar, not least of which are the two sequels Cars 2 (Metacritic: 57) and Cars 3 (Metacritic: 59) and the spinoff Planes (Metacritic: 39 (!)). Cars is slow, and dripping with nostalgia callouts for people who are now in their 70s or 80s (I asked my father, currently mid-60s, and he said it was even older than anything he was nostalgic for), but it's at least watchable once.
Of course, there's a multiplicity of possible objective metrics, but then, that's why I phrased my sentence the way I did. You're free to define your own, but then, nobody else will care, either.
Any true objective metric would rank films would likely be uncorrelated with reviews - stuff like frames per second, duration, resolution, etc.
I'm of the opinion that talking about "objective metrics" in a discussion of the quality of films makes zero sense. I don't think there is any meaningful way to say any film is objectively worse than another.
Perhaps it seems I'm being too narrow in my definition of "objective," but i don't think so. I'm using it to mean what the word actually means, instead of using "objectively" to mean "in my opinion, which is better than yours," which is how 'whywhywhywhy used it, as far as I can tel.
This is a technique used all the time in science and engineering, when the underlying hypothetical metric is either impossible to obtain or may not strictly speaking exist.
This isn't science or engineering, it's art. You can't objectively determine whether any film is "better" than any other, because the only thing that matters is how an individual viewer likes the film.
We seem to be talking past one another. Have a nice day.
Yes you do. You wouldn't be this offended if you didn't. You're being disingenuous now for rhetorical effect now. Not impressed.