Anyway, when I was a kid I used to love seeing those burnt capsules in the Science Museum in London. So crazy to see the story rendered to beautifully, along with the politics, the oxygen fires, the bouncing off the atmosphere... I couldn't have asked for anything more.
I thought his portrayal was a realistic vision of the pitfalls of masculinity, and not melodramatic at all. My dad's like that, except he smiles instead of having the blank Gosling face. My dad didn't cry even at his own mother's funeral.
Seeing Gosling/Armstrong closing up the notebooks where he'd been trying to figure out how to cure his daughter's brain cancer, seeing him cover his face to cry silently, seeing him snap at his friend "Do you think I left there because I wanted to talk?", his fear of his emotions... It was just so true to life. I cried multiple times in that film. Of course films are always a bit romanticised - I have to say at no point was the illusion broken for me.
I think that film gets into my top 3 films along with Gattaca and The Matrix.
I love Drive but it was really Blade Runner 2049 that made me realise that his "silent" roles are actually a deceptively simple comment of the state of masculinity, kind of like American Psycho (film > book IMO - interestingly the screenwriter of the film was a woman and the directory of the film was a woman, and the film & book are a critique of that version of masculinity).
Also Ryan's performance in The Big Short made me realise that he is CHOOSING to do his "silent" stuff when he does. He's a very talented actor.
The big failure was right after the explosion. There was a desire to show the level of stress at that time, so the script writers had the astronauts be antagonistic toward each other and generally unproductive. As I watched that, I instantly saw a bunch of wimpy unstable Hollywood types instead of carefully screened professional test pilots.
The intro dialog was also really forced, and the historical dialog contradicted the direction that rockets were fired when returning.
I don't dispute that the film fudged reality to get to a more relatable emotional truth - I actually like that kind of thing.
One thing I remain curious about is how serving in the Korean War shaped the psychology of that first crop of astronauts. And I would LOVE to watch a movie with the budget and talent of First Man, but about Yuri Gagarin or Valentina Tereshkova.
[1] https://www.nytimes.com/2018/.../first-man-ryan-gosling-clai...
https://youtu.be/wZEcwrBcqGs?t=42 (see also about 8:40)
Perhaps in contrast, First Man (the book) relates that Armstrong hid in a college bathroom when some autograph seekers came by the college where he taught.
He was chosen for the mission in a large part for his lack of emotions: stress didn't seem to phase him when in precarious situations.
Buzz Aldrin was a bit more emotional in comparison, but still a rather mellow person. Buzz was chosen for his MacGyver-like abilities to improvise. He did end up dissecting a ball-point pen to trigger a damaged switch. A fully-inflated space suit ended up bigger than drafted, and they had a hard time getting out of the hatch, brushing up against instrument panels in the process. Good thing they didn't bump the "launch" button :-)
I don't know. My granddad [0] told me a story about being pinned against a wall and screamed at by Armstrong because he allowed little kids to hang around and ask for autographs at a NASA event. Armstrong was not only overly private, he was also apparently really bothered by the small industry that developed selling things that he (Buzz Aldrin / Mike Collins) signed.
In contrast, others like Jimmy Doolittle, would supposedly talk to you for hours on end about NASA/WWII/whatever.
[0] some high-level guy at NASA in the 70-80s
[0] https://variety.com/2018/scene/news/first-man-astronauts-wiv...
Apparently you can also pretend he's a replicant in all his other movies, and it often works out pretty well. Drive for example would make perfect sense with his character being an unwitting replicant.
I'm not sure exactly how much of Graham Norton is scripted, but he's had at least a couple of amazing appearances on that. (It's a bit of an edge case, but I'd argue that it qualifies as 'acting' even if only slightly so.)
EDIT: I gained a lot of respect for him -- as an actor -- after NG. I'm told comedy is one of those things that it's really hard to do well.
I was disappointed to see Ryan Gosling associated with the project; it looked like he was playing his character from "Drive" as an astronaut. He does "super quiet person" really well, but it didn't look like Neil Armstrong, it looked like Ryan Gosling goes to space.