Neil Armstrong Remembered
ceas.uc.edu
ceas.uc.edu
For most of the later astronauts, later life was one big layoff. NASA had about 140 astronauts at the peak of the Shuttle program. They now have about 40, and no manned space capability. Maybe next year, when Space-X launches.
I was disappointed to see Ryan Gosling associated with the project; it looked like he was playing his character from "Drive" as an astronaut. He does "super quiet person" really well, but it didn't look like Neil Armstrong, it looked like Ryan Gosling goes to space.
https://youtu.be/wZEcwrBcqGs?t=42 (see also about 8:40)
Apparently you can also pretend he's a replicant in all his other movies, and it often works out pretty well. Drive for example would make perfect sense with his character being an unwitting replicant.
I'm not sure exactly how much of Graham Norton is scripted, but he's had at least a couple of amazing appearances on that. (It's a bit of an edge case, but I'd argue that it qualifies as 'acting' even if only slightly so.)
EDIT: I gained a lot of respect for him -- as an actor -- after NG. I'm told comedy is one of those things that it's really hard to do well.
Perhaps in contrast, First Man (the book) relates that Armstrong hid in a college bathroom when some autograph seekers came by the college where he taught.
He was chosen for the mission in a large part for his lack of emotions: stress didn't seem to phase him when in precarious situations.
Buzz Aldrin was a bit more emotional in comparison, but still a rather mellow person. Buzz was chosen for his MacGyver-like abilities to improvise. He did end up dissecting a ball-point pen to trigger a damaged switch. A fully-inflated space suit ended up bigger than drafted, and they had a hard time getting out of the hatch, brushing up against instrument panels in the process. Good thing they didn't bump the "launch" button :-)
Anyway, when I was a kid I used to love seeing those burnt capsules in the Science Museum in London. So crazy to see the story rendered to beautifully, along with the politics, the oxygen fires, the bouncing off the atmosphere... I couldn't have asked for anything more.
I thought his portrayal was a realistic vision of the pitfalls of masculinity, and not melodramatic at all. My dad's like that, except he smiles instead of having the blank Gosling face. My dad didn't cry even at his own mother's funeral.
Seeing Gosling/Armstrong closing up the notebooks where he'd been trying to figure out how to cure his daughter's brain cancer, seeing him cover his face to cry silently, seeing him snap at his friend "Do you think I left there because I wanted to talk?", his fear of his emotions... It was just so true to life. I cried multiple times in that film. Of course films are always a bit romanticised - I have to say at no point was the illusion broken for me.
I think that film gets into my top 3 films along with Gattaca and The Matrix.
I love Drive but it was really Blade Runner 2049 that made me realise that his "silent" roles are actually a deceptively simple comment of the state of masculinity, kind of like American Psycho (film > book IMO - interestingly the screenwriter of the film was a woman and the directory of the film was a woman, and the film & book are a critique of that version of masculinity).
Also Ryan's performance in The Big Short made me realise that he is CHOOSING to do his "silent" stuff when he does. He's a very talented actor.
The big failure was right after the explosion. There was a desire to show the level of stress at that time, so the script writers had the astronauts be antagonistic toward each other and generally unproductive. As I watched that, I instantly saw a bunch of wimpy unstable Hollywood types instead of carefully screened professional test pilots.
The intro dialog was also really forced, and the historical dialog contradicted the direction that rockets were fired when returning.
I don't dispute that the film fudged reality to get to a more relatable emotional truth - I actually like that kind of thing.
One thing I remain curious about is how serving in the Korean War shaped the psychology of that first crop of astronauts. And I would LOVE to watch a movie with the budget and talent of First Man, but about Yuri Gagarin or Valentina Tereshkova.
[1] https://www.nytimes.com/2018/.../first-man-ryan-gosling-clai...
[0] https://variety.com/2018/scene/news/first-man-astronauts-wiv...
I don't know. My granddad [0] told me a story about being pinned against a wall and screamed at by Armstrong because he allowed little kids to hang around and ask for autographs at a NASA event. Armstrong was not only overly private, he was also apparently really bothered by the small industry that developed selling things that he (Buzz Aldrin / Mike Collins) signed.
In contrast, others like Jimmy Doolittle, would supposedly talk to you for hours on end about NASA/WWII/whatever.
[0] some high-level guy at NASA in the 70-80s
It's been the subject of some technical analysis over the years: http://news.bbc.co.uk/2/hi/science/nature/8081817.stm
NASA trusted those guys enough to give them carte blanche with stuff like that, which is why Pete Conrad said "Whoopie! Man, that may have been a small one for Neil, but that's a long one for me" in order to win a bet (and because it was funny).
I think Damien Chazelle intended to frame the movie as a war movie, even toeing towards a parallel between the Apollo missions and the Vietnam War. The idea that we actively gambled with these men's lives, somehow collectively desensitized ourselves to human loss, that we are all boys pretending to have protocol- obvious parallels to war, in that a bureaucratic borg overlooks human lives in a competition the borg itself created.
But the thing is- its pretty hard to not lean into the inherent heroism of landing on the moon, especially since the studio clearly gave Chazelle a blank check to recreate the moon landing as immaculately as possible.
So its a little hard to parse the final message. The movie is the inverse of Apollo 13, pessimistic where 13 is optimistic, even though First Man is about the successful one. To some extent, Mission Control are the villains in this movie.
It isn't not going be a loved movie, like his last two (Whiplash and La La Land.) The characters are constantly aware of their mortal peril, which in turn makes them coarse and hard to like. But its such an interesting take on the Moon missions.