This also has the side effect of eliminating curation bias / censorship allowing for all sorts of new content to become available that might not otherwise be allowed on iTunes/Netflix etc.
This also has the side effect of eliminating curation bias / censorship allowing for all sorts of new content to become available that might not otherwise be allowed on iTunes/Netflix etc.
The actual problems here are discovery and piracy. The former increases the benefits (real and perceived) of middlemen with promotional channels, speaking to both to the creators wanting their work to be found and anyone finding it. The latter is similarly important: most artists don't make money so every lost sale counts and for every artist who believes content should be unencumbered there seem to be more who demand DRM, especially the mainstream ones with the most customers.
Not addressing both of those is fatal: if customers can't find what they want easily, the service is unlikely to make it out of the indie market. The key thing to remember is that outside of the diehard anti-DRM community, nobody sees this as a problem – most people find what they want on a major service, pay an acceptable amount, and leave satisfied.
Blockchains don't solve those problems and add new ones, like performance and irrecoverably failing open if there's a bug, which are likely showstoppers.