> ' Gins often said that the reason she and Arakawa made art and architecture was to “construct optimism.” Their whole philosophy began there, in the desire to embrace being alive and to shift their focus away from the certainty of death. Gins made the choice to believe that art, and her work, were strong enough to do that. It was her version of faith, and her work made that faith solid, physical. Her life, like all our lives, was often filled with sadness and difficulty. There were periods of depression, anxiety, sick parents, financial problems, her husband’s illness and death. Through it all, she insisted not just on continuing to live, but on living forever. Trying to build a world where fewer people suffered made her own suffering bearable. A year and a half after Arakawa’s death, Gins recalled in a letter to a friend her struggle to move forward. “Despite my shattered state,” she wrote, “in spite of the gaping hole that had been punched into my optimism, I asserted that nothing is of more interest than to be alive.” '
It's a poetic and apocryphal tale of optimism. Not a bad read if you enjoy art.