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tonystride

93 karma · joined June 9, 2020

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tonystride··on The Mayron Cole Piano Method is now free
Yes and no. There is an art to reaching someone with talent who is untrained. It's like their innate sense of music is a reservoir behind a damn and the damn is their facility on the keyboard. There's no shortcut to bringing that damn down no matter how much water is in your reservoir an often times the ones with the most water have so much pressure that it affects their ability to be patient and thoroughly build a channel through the damn. Sometimes my most successful students are the ones without much prior learning because, yah know, tortoise and the hair. But regardless, I'll do my best to connect to any student and help them build that channel.
tonystride··on The Mayron Cole Piano Method is now free
Absolutely, like I said, I'm working on stuff like this right now. Having said that, perhaps it's a combination of my own personal trauma from originally being taught in a very rote way and thousands of hours of helping students learn to read, but I have an aversion to not knowing what you are doing. I remember looking at stacks of chords 3-6-9 to 7-3-5, or even trying to read a basic root position C7 chord with the RH doing stuff on top and feeling really hopeless to get my LH to fall into those shapes. I've also seen this with many students. Chords are hard if you don't see them as words and try to look at every note every time. ¯\_(ツ)_/¯
tonystride··on The Mayron Cole Piano Method is now free
Some low price keyboards are so bad that they might not properly convey the fun of piano because of their limited function and make you think you don't like it. You've gotta make sure that what you buy gives you an accurate picture of what it is like to play a quality instrument because a crappy instrument is not fun.

For example I bought a $200 keyboard once because I thought it would lighten my load as a gigging pianist. Nice and light, 88 keys, built in speaker. Much better than lugging around my thousands of dollars of pro gear. But when I got it, it didn't have weighted keys, ok not fun but I can deal with that, but then it didn't have velocity sensitivity... Every note was just on/off. This was a deal breaker, it is strait up not fun to play a piano like that. I mean it's in the name Piano/Forte the instrument that can play loud and soft.

tonystride··on The Mayron Cole Piano Method is now free
TBH it looks pretty good. Covers lots of theory, lots of repertoire graded for ability, and I'm super happy to see it covers rhythm. I think a few people knocked it for typography, I'm not that picky. Perhaps one of the biggest problems with any book is what is the % of people that finish any book much less 9 of them? Realistically this seems better suited as material for a teacher to incorporate into lessons.

I think the one thing that apps and video lessons offer autodidacts that books don't is repetitive guided practice. Going through every scale & chord with you, guiding you though syncopation exercises, walking you through a harmonic analysis, etc...

tonystride··on The Mayron Cole Piano Method is now free
I would say no cheaper than $500 from Roland, Yamaha, or Casio.
tonystride··on The Mayron Cole Piano Method is now free
I'm working on something like this right now. Pieces that are accessible but not boring. Getting into jazz early can be tough, like how will you understand an extremely basic 3-6-9 voicing and how it connects to a 7-3-5 voicing in a circle of fifths progression if you haven't studied your basic triads, basic 7th chords and the circle of fifths? And not just reading about them but spending enough time to absorb them into your pianistic vocabulary. Sure you could do it by rote but that's about as fun as memorizing a page of Spanish and reciting it without any comprehension. Any who I don't want to knock your ambition, but rather let you know that from the other side of things I'm thinking of this as well. How do I build the best and quickest ladder of abstraction to jazz for amelius?
tonystride··on How bad is your Spotify?
Wow reading discussion of music consumption on HN is so surreal for me as a working pianist / keyboardist / accordionist / educator. There’s a guilty pleasure I derive from mostly feeling unworthy when reading through HN posts about tech, you all are amazing! At the same time I really appreciate that HN is aware of your minority tech nerd preferences compared to the greater consumer population who are perfectly happy in their walled gardens. I practice tech in the same way some one casually dabbles in piano. I wish I didn’t have to be in a walled in garden but not enough time (for now) to make a website that’s not a godaddy template. The disdain for using gd services must be similar to how I feel about music industry discussion, but I accept that I’m a minority since I can see the ‘source code’ to everything I hear. But yeah pretty funny to be judged by the AI as a consumer for something that I actually use more of as a professional reference tool. I got, 2% basic, jazz-everyones-heard-of-jazz-flex-stuck-in-the-fifties bad. It also made fun of me a lot for listening to every episode of Marion Mcpartland’s ‘Piano Jazz’ that’s available on Spotify...
tonystride··on Chrome Music Lab
As a piano teacher I've been teaching online since March and the Shared Piano part of the Chrome Music Lab has been really useful for demonstrating various concepts!
tonystride··on How Google Meet's noise cancellation works
I've been using Google Hangouts, doesn't look like this option exists here...
tonystride··on How Google Meet's noise cancellation works
This is also a problem with teaching online piano lessons, sometimes the piano gets filtered out and makes it hard to hear what the student is doing.
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